1- Oqa+19

Album Description

"1- Oqa+19" is a captivating journey into the world of avant-garde jazz, masterfully crafted by the legendary Muhal Richard Abrams. Released on November 28, 1977, under the Black Saint label, this album is a testament to Abrams' innovative spirit and his significant contributions to the genre. Spanning just over 42 minutes, the album features five tracks that blend free jazz and avant-garde elements, creating a soundscape that is both challenging and rewarding.

The album opens with "Charlie In The Parker," a near 10-minute exploration of complex rhythms and harmonies. "Balladi" follows, offering a more introspective and melodic approach, while "Arhythm Song" dives back into the avant-garde with its unpredictable structures. "O Q A" and "R I T O B" round out the album, each offering unique perspectives on Abrams' musical vision.

Muhal Richard Abrams, a cofounder of the Association for the Advancement of Creative Musicians (AACM), is renowned for his pioneering work in experimental and free jazz. His compositions often push the boundaries of traditional jazz, incorporating elements of classical, electronic, and world music. "1- Oqa+19" is no exception, showcasing Abrams' ability to blend these diverse influences into a cohesive and compelling whole.

For fans of avant-garde and free jazz, this album is a must-listen. It offers a glimpse into the creative mind of one of the genre's most influential figures, providing both a historical perspective and a timeless musical experience. Whether you're a seasoned jazz aficionado or a curious newcomer, "1- Oqa+19" promises a rich and rewarding listening journey.

28 november 1977

1978 Kepach Music S.r.l.

About Muhal Richard Abrams

Muhal Richard Abrams was a pioneering figure in the world of free jazz, renowned for his innovative compositions and virtuosic performances on piano, clarinet, and cello. Born in 1930, Abrams' musical journey began in the vibrant jazz scene of Chicago, where he founded the Experimental Band in 1962, a group that would later evolve into the Association for the Advancement of Creative Musicians (AACM). This organization, which Abrams co-founded, became a crucible for avant-garde jazz, nurturing talents like Roscoe Mitchell and Anthony Braxton.

Abrams' discography spans nearly three decades, showcasing his unique ability to blend various musical influences into a cohesive and powerful sound. Albums like "Spihumonesty," "Mama and Daddy," and "Blues Forever" highlight his mastery of free jazz and avant-garde styles, while his live performances with his orchestra, sextet, quartet, and as a solo pianist captivated audiences across the United States, Canada, and Europe. His work is characterized by a profound sense of gravitas and a timeless quality that sets it apart in the jazz canon. Abrams' legacy as a composer, educator, and organizational architect continues to inspire musicians and enthusiasts alike, cementing his place as a true innovator in the world of jazz.