Fred Moten, a celebrated figure in the realms of poetry, philosophy, and music, teams up with bassist Brandon Lopez for a captivating exploration of free jazz and spoken word on their collaborative album "#14." Released on February 11, 2025, under the independent label Tao Forms, this album is a testament to the power of improvisation and intellectual discourse.
Moten, known for his profound contributions to critical race theory and black study, brings his unique perspective to this musical endeavor. His work, such as "The Undercommons," has been influential in academic circles, and his collaboration with Lopez promises a similar depth and complexity. Lopez, a virtuoso on the bass, complements Moten's intellectual prowess with his exceptional musical skill, creating a dynamic duo that transcends traditional boundaries.
The album "#14" is a concise yet impactful collection, featuring a single track that spans just over four minutes. This brevity belies the depth of the piece, which is a fusion of free jazz and spoken word, creating a unique auditory experience. The track is characterized by Moten's evocative spoken word, layered over Lopez's intricate and improvisational bass lines. The result is a piece that is both intellectually stimulating and musically engaging.
This collaboration is part of a larger project titled "Revision," which includes another track, "#2," released on March 11, 2025. The "Revision" project is available in both vinyl LP and CD formats, offering listeners the choice of their preferred medium. The vinyl edition includes a download code for digital access, ensuring that the music is accessible in multiple formats.
For fans of Fred Moten's work, this album offers a new dimension to his artistic expression. For jazz enthusiasts, it provides an innovative take on the genre, blending it with spoken word to create something fresh and exciting. Whether you're a long-time admirer of Moten's work or a newcomer to his art, "#14" is a compelling addition to your music collection.
Fred Moten is a multifaceted American artist whose work spans the realms of cultural theory, poetry, and performance studies. As a distinguished professor and scholar, Moten's academic pursuits delve into critical theory, black studies, and the intricate intersections of Afro-diasporic cultural expressions. His scholarly texts, such as "The Undercommons: Fugitive Planning & Black Study" and "In the Break: The Aesthetics of the Black Radical Tradition," have garnered significant acclaim, reflecting his deep engagement with black social aesthetics and the political dimensions of blackness in African diaspora arts.
Beyond his academic contributions, Moten is also a celebrated poet, with numerous collections to his name, including "The Little Edges," "The Feel Trio," and "B Jenkins." His poetic works are known for their innovative and thought-provoking explorations of language, identity, and social justice. Moten's unique voice and perspective have earned him a MacArthur Fellowship, recognizing his ability to create new conceptual spaces for emerging forms of black aesthetics and cultural production.
Moten's collaborations extend into the musical realm, where he has worked with renowned artists to push the boundaries of free jazz and spoken word. His work is not just about creating art; it's about reimagining the world through the lens of black radical tradition and social critique. Whether through his scholarly writings, poetic verses, or musical collaborations, Fred Moten continues to inspire and challenge, making him a vital figure in contemporary cultural discourse.
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