"3-part inventions" is a captivating experimental album that pushes the boundaries of glitch and electronic art music. Released on April 11, 2012, via T.M.D., this album is the collaborative effort of three renowned artists: Yasunao Tone (刀根康尚), Otomo Yoshihide, and Jim O'Rourke. Spanning a duration of 1 hour and 13 minutes, the album comprises three intricate tracks that delve into the realms of glitch, noise, and indeterminacy.
Yasunao Tone, born in 1935, is a pioneering figure in Japanese experimental music, known for his innovative approach to composition and performance. A founding member of Japan's Fluxus movement, Tone has been instrumental in shaping the landscape of avant-garde music and performance art. His collaborations with Otomo Yoshihide and Jim O'Rourke on "3-part inventions" bring together a wealth of experience and creativity, resulting in a sonic exploration that is both challenging and rewarding.
The album's title, "3-part inventions," is a nod to the classical tradition of the invention, a short musical composition that serves as a study in counterpoint. However, this album takes the concept to a new level, using digital glitches and experimental techniques to create a unique and immersive listening experience. The tracks on "3-part inventions" are not just songs, but sonic experiments that push the limits of what is possible in electronic music.
With its innovative approach to sound and composition, "3-part inventions" is a testament to the power of collaboration and experimentation in music. Whether you're a fan of glitch, experimental, or electronic art music, this album is sure to captivate and inspire. So, plug in your headphones and prepare to be transported to a world of sonic innovation and exploration.
Yasunao Tone, born in Tokyo in 1935, is a pioneering figure in experimental and glitch music, renowned for his innovative and interdisciplinary approach to sound art. With a background in Japanese Literature from Chiba University, Tone emerged as a key player in Japan's postwar avant-garde scene during the 1960s. He was an active member of groundbreaking artist collectives such as "Group Music" and Fluxus, contributing to a redefinition of what art could be. Tone's work often challenges conventional notions of music and sound, exploring the spatial and conceptual dimensions of audio. His collaborations and solo works span over half a century, showcasing his enduring influence and creativity. Whether through installations, performances, or recordings, Tone's art invites audiences to experience sound in new and unexpected ways.
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