3x4 Eye

Album Description

Released on December 28, 1981, "3x4 Eye" is a captivating exploration into the avant-garde and free jazz realms by the legendary Roscoe Mitchell. This album, released under the Black Saint label, is a testament to Mitchell's innovative spirit and his enduring influence on the jazz genre. The album features four intricate tracks: "Cut Outs For Quintet," "Jo Jar," "3x4 Eye," and "Variations On A Folk Song," each showcasing the unique blend of improvisation and composition that Mitchell is renowned for.

"3x4 Eye" is performed by Roscoe Mitchell & The Sound Ensemble, a group that pushes the boundaries of traditional jazz, incorporating elements of avant-garde music to create a sound that is both challenging and rewarding. The album's 41-minute duration is filled with complex rhythms, unconventional melodies, and a deep sense of musical exploration.

This album is a great introduction to Mitchell's work for those new to his discography, and a welcome addition for longtime fans. "3x4 Eye" stands as a significant release in Roscoe Mitchell's extensive career, highlighting his ability to innovate and inspire within the jazz genre.

28 december 1981

1981 Kepach Music S.r.l.

About Roscoe Mitchell

Roscoe Mitchell is a pioneering figure in the world of avant-garde jazz, renowned for his innovative compositions and virtuosic saxophone playing. Born in Chicago in 1940, Mitchell has been at the forefront of modern music for over five decades, co-founding the iconic Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM). His work is characterized by a deliberate and methodical approach to improvisation, pushing the boundaries of jazz and blending it with contemporary classical music. Mitchell's discography is a testament to his restless exploration of new forms and ideas, making him one of the most important saxophonists and composers of the 20th century. Beyond his musical achievements, Mitchell is also an esteemed educator, having held the position of Emeritus Chair of Composition at Mills College. His influence extends far beyond the stage, inspiring generations of musicians and composers.