"A Tone Parallel to Harlem" is a captivating jazz album by the renowned French pianist, composer, and arranger Claude Bolling. Released in 2008 under the label Frémeaux & associés, this album is a delightful blend of ragtime, French jazz, and classic jazz, spanning a total of 73 minutes. Bolling's mastery shines through in this collection of 15 tracks, each offering a unique perspective on the vibrant jazz scene of Harlem.
The album opens with "Harlem," setting the stage for a journey through the rich musical history of this iconic neighborhood. Bolling's arrangements are intricate and lively, with standout tracks like "Ring dem bells," "Creole love call," and a fresh take on Duke Ellington's "It don't mean a thing." The album also features classic jazz standards such as "Caravan" and "Jungle traps," showcasing Bolling's versatility and deep understanding of the genre.
"Moon mist" and "Diminuendo in blue" add a touch of elegance and sophistication, while "Lot of fingers" and "Magenta haze" highlight Bolling's playful side. Each track is a testament to Bolling's skill as a composer and arranger, making "A Tone Parallel to Harlem" a essential addition to any jazz enthusiast's collection. Whether you're a long-time fan of Claude Bolling or new to his work, this album offers a rich and rewarding listening experience.
Claude Bolling, born in Cannes, France, in 1930, is a legendary figure in the world of jazz, renowned for his virtuosity as a pianist, composer, and arranger. His career spans decades, during which he has left an indelible mark on the genre with his unique blend of French jazz and ragtime influences. Bolling's collaborations are legendary, none more so than his iconic partnership with the world-renowned flutist Jean-Pierre Rampal. Together, they created timeless music that seamlessly blends classical and jazz elements, most notably in their Suite for Flute and Jazz Piano. Bolling's discography is a treasure trove of exceptional works, from his greatest hits to his evocative scores for American movies. His music is not just heard; it is experienced, making him a true ambassador of jazz and a beloved figure in the music world.
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