"Sonny Stitt's 1977 album, 'A Tribute to Duke Ellington,' is a captivating journey into the world of jazz, showcasing the legendary saxophonist's virtuosity and deep respect for the genre's pioneers. Originally released as 'Sonny Stitt With Strings,' this Catalyst Jazz record is a rare gem that has long been out of print, making it a prized possession for jazz enthusiasts. The album features a selection of Duke Ellington's timeless compositions, reimagined by Stitt with his signature bebop and hard bop influences, creating a unique blend of cool jazz and acid jazz.
The album opens with the iconic 'Take the "A" Train,' followed by a series of Ellington classics such as 'Prelude to a Kiss,' 'It Don't Mean a Thing, If It Ain't Got That Swing,' and 'Cotton Tail.' Stitt's renditions are not mere covers; they are reinterpretations that pay homage to Ellington while showcasing Stitt's own artistic vision. The album's duration is a concise 32 minutes, but within this short span, Stitt delivers a powerful performance that highlights his technical prowess and musical sensitivity.
'A Tribute to Duke Ellington' is not just a collection of songs; it is a testament to Stitt's musical legacy and his enduring influence on the jazz world. The album's gatefold cover and the inclusion of lesser-known tracks like 'Jeep's Blues' add to its appeal, making it a valuable addition to any jazz collection. Whether you're a longtime fan of Sonny Stitt or a newcomer to his music, this album offers a rich and rewarding listening experience that celebrates the enduring legacy of Duke Ellington and the artistry of Sonny Stitt."
Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.
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