Accentus, the renowned French choir, presents a captivating journey through the world of classical and choral music with their 2010 album, "Accentus." This impressive collection, released under the naïve label, features a diverse range of compositions from some of the most celebrated composers in history. With a duration of over three hours, the album offers an extensive exploration of the choral repertoire, showcasing the exceptional talent and versatility of the Accentus ensemble.
The album opens with a poignant arrangement of Samuel Barber's "Adagio for Strings," followed by a selection of works from composers such as Gustav Mahler, Johannes Brahms, and Gabriel Fauré. Each piece has been meticulously arranged for choir, highlighting the unique qualities of the Accentus ensemble. Notable arrangements include those by Gérard Pesson, Frank Krawczyk, and Clytus Gottwald, who have skillfully adapted works originally composed for solo instruments or orchestras to create a rich and immersive choral experience.
Accentus, under the direction of their founder and conductor Laurence Equilbey, delivers a powerful and nuanced performance throughout the album. The ensemble's precise harmonies and dynamic range are evident in every track, from the haunting beauty of Franz Schubert's "Der Wegweiser" to the triumphant finale of George Frideric Handel's "Hallelujah" from the "Messiah."
The album also features works by lesser-known composers, such as Maurice Ravel and Maurice Duruflé, providing a well-rounded and eclectic listening experience. The inclusion of traditional Jewish music from Spain, performed by the Accentus Ensemble, adds a unique cultural dimension to the collection.
Recorded live at various locations, including Severance Hall in Cleveland, Ohio, the album captures the energy and passion of the Accentus ensemble in a live performance setting. The high-quality production and recording ensure that every note and nuance is clearly audible, allowing the listener to fully appreciate the skill and artistry of the performers.
"Accentus" is a testament to the enduring power and beauty of choral music, showcasing the exceptional talent of the Accentus ensemble and their ability to bring new life to both familiar and lesser-known compositions. This album is a must-listen for fans of classical and choral music, offering a rich and rewarding musical experience that is sure to captivate and inspire.
naïvenaïve classique
Tracks
Adagio for Strings, Op. 11 "Agnus Dei" - Arr. for ChoirSamuel Barber, Laurence Equilbey, Accentus
Symphony No. 5: IV. Adagietto. Kein deutscher Himmel - Arr. by Gérard PessonGustav Mahler, Laurence Equilbey, Accentus
Komm, süsser Tod, BWV 478 - Arr. by Frank KrawczykJohann Sebastian Bach, Laurence Equilbey, Accentus
Etudes, Op. 10: No. 6 in E-Flat Minor - Arr. by Clytus GottwaldFrédéric Chopin, Laurence Equilbey, Accentus
3 Poèmes de Stéphane Mallarmé, M.64: No. 1, Soupir - Arr. for ChoirMaurice Ravel, Laurence Equilbey, Accentus, Knut Nystedt
Mörike-Lieder: No. 7, Das verlassene Mägdlein - Arr. by Clytus GottwaldHugo Wolf, Laurence Equilbey, Accentus
Mörike-Lieder: No. 23, Auf ein altes Bild - Arr. by Clytus GottwaldHugo Wolf, Laurence Equilbey, Accentus
7 Frühe Lieder: No. 3, Die Nachtigall - Arr. by Clytus GottwaldAlban Berg, Laurence Equilbey, Accentus
Rückert Lieder: No. 4, Ich bin der Welt abhanden gekommen - Arr. by Clytus GottwaldGustav Mahler, Laurence Equilbey, Accentus
Les angélus, L. 76 - Arr. by Clytus GottwaldClaude Debussy, Laurence Equilbey, Accentus
Piano Sonata No. 3 in B Minor, Op. 58: III. Largo - Arr. by Clytus GottwaldFrédéric Chopin, Laurence Equilbey, Accentus
The Four Seasons, Violin Concerto No. 4 in F Minor "Winter", RV 297 - Arr. for Choir and OrchestraAntonio Vivaldi, Laurence Equilbey, Accentus, Orchestre National De France
Am Tage Aller Seelen, D. 343 - Arr. for ChoirFranz Schubert, Laurence Equilbey, Accentus
Alexander Nevsky, Op. 78: VI. The Field of the Dead - Arr. for ChoirSergei Prokofiev, Laurence Equilbey, Accentus
Vierzehn Lieder und Gesänge. Aus der Jugenzeit: No. 5, Scheiden und Meiden - Arr. for ChoirGustav Mahler, Laurence Equilbey, Accentus
5 Gedichte für eine Frauenstimme, WWV 91: No. 3, Im Treibhaus - Arr. for ChoirRichard Wagner, Laurence Equilbey, Accentus
String Quartet No. 14 in D Minor, D. 810: II. Andante con moto - Arr. for ChoirFranz Schubert, Laurence Equilbey, Accentus
Winterreise, Op. 89, D. 911: No. 20, Der Wegweiser. Mässig - Arr. for ChoirFranz Schubert, Laurence Equilbey, Accentus
Nacht und Träume, Op. 43 No. 2, D. 827 - Arr. for ChoirFranz Schubert, Laurence Equilbey, Accentus
Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen von meinem Schatz - Arr. for ChoirGustav Mahler, Laurence Equilbey, Accentus
Geistliche Oden und Lieder I, Wq. 194: No. 45, Busslied - Arr. for ChoirCarl Philipp Emanuel Bach, Laurence Equilbey, Accentus
An Wasserflüssen Babylon - Arr. for ChoirPeter Cornelius, Laurence Equilbey, Accentus
6 Partitas: No. 1 in B-Flat Major, BWV 825: V. Menuet II - Arr. for ChoirJohann Sebastian Bach, Laurence Equilbey, Accentus
Préludes, Premier Livre, L. 117: No. 6, Des pas sur la neige - Arr. for ChoirClaude Debussy, Laurence Equilbey, Accentus
Shéhérazade: No. 2, La flûte enchantée - Arr. for ChoirMaurice Ravel, Laurence Equilbey, Accentus
Oratorio de Noël, Op. 12: No. 5, Benedictus qui venitCamille Saint-Saëns, Sandrine Piau, Laurence Equilbey, Aurélie Saraf, Daniel Maurer, Johann Weisser
Mass, Op. 12, FWV 61: V. Panis angelicusCésar Franck, Pavol Breslik, Laurence Equilbey, Daniel Maurer, Sonia Wieder-Atherton
Exsultate, jubilate, K. 165: III. Alleluja. AllegroWolfgang Amadeus Mozart, Sandrine Piau, Laurence Equilbey, Orchestre National De France