Jaime Balius presents a captivating journey through the musical landscape of the late Classical period with his album "Adonde infiel dragón." This exquisite collection of works, performed by the Orquesta Barroca de Sevilla, showcases the rich tapestry of music composed for the Cathedral of Córdoba during this transitional era. The album features a blend of vocal and instrumental pieces, including symphonies, recitatives, and arias, all meticulously performed and recorded.
The album opens with "Clara Aurora," a vibrant and lively piece that sets the tone for the rest of the collection. The symphony in D minor, BEN 126, is a standout piece, showcasing the orchestral prowess of the ensemble with its dynamic range and intricate compositions. The symphony's four movements—Allegro assai, Andante, Menuetto/Trio, and Finale: Rondo allegro—offer a journey through various moods and tempos, highlighting the depth and versatility of the music.
Vocal pieces like "De la antigua serpiente" and "No hemos de hablar" add a dramatic and narrative element to the album. These works, featuring recitatives and arias, are performed with passion and precision by the vocalists, bringing the stories and emotions of the texts to life. The Christmas villancico "No hemos de hablar" adds a festive touch to the collection, showcasing the versatility of the ensemble and the richness of the musical traditions of the time.
Jaime Balius's interpretation of these works is both scholarly and engaging, offering a fresh perspective on the music of Ignace Pleyel and his contemporaries. The album is a testament to the enduring beauty and relevance of Classical music, and a must-listen for anyone interested in the history and evolution of Western music. With its rich orchestration, dynamic performances, and historical significance, "Adonde infiel dragón" is a true gem in the world of classical music.
(C) 2016 Orquesta Barroca de Sevilla SL(P) 2016 OBS-010 Prometeo
Tracks
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: Aria de ConcepciónJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Allegro assaiIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): AndanteIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Menuetto/TrioIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Finale: Rondo allegroIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Recitado: PrestoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Aria: GraciosettoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: Aria: MaestosoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: Aria a Nuestra SeñoraJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla