Airs d'opéras

Album Description

Experience the captivating artistry of Régine Crespin in this exquisite collection of opera arias, "Airs d'opéras," recorded in 1958. This album showcases the renowned French soprano's vocal prowess and dramatic depth, featuring iconic roles from some of the most celebrated operas in the classical repertoire. Crespin's powerful and nuanced performances are accompanied by the Orchestre Du Théâtre National De L'Opéra, Paris, under the direction of Otto Ackermann, providing a rich and immersive orchestral backdrop.

The album opens with a stirring rendition of "Il s'éloigne enfin..." and "Sombre forêt" from Guillaume Tell, followed by Léonore's arias "Timor di me?" and "D'amor sull'ali" from Il trovatore. Crespin's interpretation of Desdémone's arias "Mia madre aveva una povera ancella" and "Piangea cantando" from Otello is particularly noteworthy, showcasing her ability to convey both vulnerability and strength. The album also includes Élisabeth's arias "Dich, teure Halle" and "Allmächt'ge Jungfrau, hör mein Flehen!" from Tannhäuser, as well as Marguerite's aria "D'amour, l'ardente flamme..." from La damnation de Faust.

Recorded in mono, this album captures the essence of Crespin's performances in the mid-20th century, offering a glimpse into the golden age of opera. The six-track album spans 46 minutes, providing a concise yet comprehensive showcase of Crespin's talent. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album is a testament to Régine Crespin's enduring legacy and her contributions to the world of classical music.

1 januari 1958

1958 - BNF Collection 2013

About Régine Crespin

Régine Crespin, born in Marseilles in 1927, was a French soprano whose illustrious career spanned nearly four decades, from 1950 to 1989. She was the first French prima donna to achieve a truly international reputation following the Second World War, captivating audiences with her powerful and nuanced performances. Crespin's repertoire was vast, encompassing roles from Italian, French, German, and Russian operas across various musical periods. She was particularly renowned for her interpretations of Wagner and Strauss heroines, earning her the nickname 'the French cannon' from British engineers for her immense vocal power. Her voice was admired for its elegance, warmth, and subtlety, making her a reigning prima donna in the opera world. Crespin's career transitioned to mezzo-soprano roles in the 1970s due to vocal changes, showcasing her adaptability and enduring artistry.