Ran Blake's "All That Is Tied" is a captivating exploration of free jazz, vocal jazz, and experimental sounds, released on March 7, 2006, under the independent label Tompkins Square. Clocking in at just over 42 minutes, this concise yet powerful album showcases Blake's mastery of improvisation and his ability to blend genres seamlessly.
The album opens with "All That Is Tied," setting the stage for a journey through a diverse range of musical landscapes. Blake's piano work is both intricate and expressive, providing a rich backdrop for the vocalizations that weave in and out of the compositions. Tracks like "Breakthru" and "Field Cry" highlight his knack for creating atmospheric, almost cinematic soundscapes, while "How 'Bout That" and "Impresario Of Death" showcase his playful side, with unexpected twists and turns.
One of the standout features of "All That Is Tied" is Blake's ability to incorporate spoken word and found sounds into his music. Tracks like "Sontagism" and "Epilogue" are testament to his innovative approach, blending poetry and prose with jazz improvisation to create something truly unique.
Throughout the album, Blake's influences are evident, from the avant-garde experiments of the 1960s to the contemporary jazz scene. But "All That Is Tied" is far from a mere pastiche. It's a bold, imaginative work that pushes the boundaries of jazz and defies easy categorization. Whether you're a longtime fan of Ran Blake or a newcomer to his music, this album is sure to leave a lasting impression.