Alwyn: Invocations & A Leave-Taking

William Alwyn's "Invocations & A Leave-Taking" is a captivating collection of song cycles, originally recorded in 1983 and released on CD in October 1993 under the Chandos label. This album showcases the remarkable talent of the English composer (1905-1985), who crafted these pieces with a deep understanding of both music and poetry. The album features two distinct song cycles: "Invocations" and "A Leave-Taking," both composed for tenor and piano, with "Invocations" being the third in a series of Alwyn's song cycles.

"Invocations" is a set of seven songs that explore themes of time, nature, and longing, with texts drawn from various sources. The cycle begins with "Through the Centuries" and concludes with the evocative "Invocation to the Queen of Moonlight," offering a journey through a range of emotions and imagery. "A Leave-Taking," also consisting of seven songs, delves into themes of departure, reflection, and the passage of time. The cycle includes pieces like "The Pilgrim Cranes" and "Fortune's Wheel," each contributing to a poignant and introspective atmosphere.

Performances on this album are brought to life by tenor Anthony Rolfe Johnson and pianist John Constable, with Graham Johnson also contributing to the piano parts. Their interpretations bring out the nuances of Alwyn's compositions, highlighting the composer's ability to blend lyrical melodies with rich harmonic textures. The album's duration of 46 minutes makes it a concise yet impactful listening experience, perfect for those seeking a deeper connection with the art of song cycles.

William Alwyn (1905-1985) was a distinguished English composer, conductor, and music teacher, renowned for his versatile and extensive musical output. Born in Northampton, Alwyn's compositional journey began at the age of 15 when he started studying flute and composition. His prolific career spanned various genres, including five symphonies, four operas, concertos, film scores, and string quartets. Among his notable works, Alwyn held a particular affection for his Lyra Angelica concerto for harp, considering it his magnum opus. Throughout his life, he evolved from composing film scores to developing a more symphonic musical language, showcasing his adaptability and depth as a composer. Alwyn's legacy is marked by his ability to create atmospheric and communicative pieces that resonate with audiences, solidifying his place as one of England's finest composers.