Ursula Thelen's "Ancor che col partire. Diminutionen des 16. Jahrhunderts" is a captivating journey through the intricate and ornate world of 16th-century chamber music. Released in 2000 under the ARS Musici label, this album spans a concise yet engaging 52 minutes, showcasing Thelen's mastery of early music performance.
The album features a diverse collection of works, including motets, madrigals, French chansons, and instrumental pieces, all centered around the art of diminution—a technique of embellishing a melody with rapid, ornate notes. Thelen's meticulous attention to detail and her ability to navigate the complex textures of these compositions make this album a standout in the realm of early music.
Highlights include the delicate "Dulce memoriae" and the lively "Un gai bergier," both of which demonstrate Thelen's versatility and technical prowess. The album also features works by renowned composers of the period, offering a rich tapestry of musical styles and influences.
Whether you're a seasoned enthusiast of early music or a curious newcomer, Ursula Thelen's "Ancor che col partire" offers a compelling exploration of the diminutions of the 16th century, performed with authenticity and artistry.
(C) 2010 M.A.T. Music Theme Licenzing Ltd.(P) 2000 Freiburger Musikforum
Tracks
Motetti, madrigali et canzone francese: Bass-DiminutionGiovanni Bassano, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Chanson- IntavolierungAntonio de Cabezón, Ursula Thelen, Flautando Köln
Le parangon des chansons: Chanson zu vier StimmenJacques Moderne, Ursula Thelen, Flautando Köln
Trattado de Glosas: Recercarda sobre Doulce memoireDiego Ortiz, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Dulce memoriae. Chanson- IntavolierungHernando de Cabezón, Ursula Thelen, Flautando Köln
Premier livre de chansons à quatre parties: Chanson zu vier StimmenThomas Crequillon, Ursula Thelen, Flautando Köln
Obras de musica para tecla, arpa y vihuela: Un gay bergeir.Chanson- IntavolierungAntonio de Cabezón, Ursula Thelen, Flautando Köln
Passaggi per potersi essercitare nel diminuire terminatamente: Un gai bergier per diminuire sopra una ParteRiccardo Rognoni, Ursula Thelen, Flautando Köln
A la dolce ombra: I. Prima stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: II. Seconda stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: III. Terza stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: IV. Quarta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: V. Quinta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
A la dolce ombra: VI. Sesta stanzaGirolamo Dalla Casa, Sestina von Francesco Petrarca, Ursula Thelen, Flautando Köln
Motetti, madrigali et canzone francese: SoprandiminutionGiovanni Bassano, Ursula Thelen, Flautando Köln
Frisque et gaillard: I. Chanson zu vier StimmenJacob Clemens non Papa, Ursula Thelen, Flautando Köln
Frisque et gaillard: II. Canzona francesa deta Frais et gaillardJacob Clemens non Papa, Ursula Thelen, Flautando Köln
Ancor che col partire: I. Chanson- IntavolierungAndrea Gabrieli, Ursula Thelen, Flautando Köln
Ancor che col partire: II. SoprandiminutionAndrea Gabrieli, Ursula Thelen, Flautando Köln