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Annette

Paul BleyPaul Bley
Annette - Paul Bley

Album Description

Paul Bley's 'Annette' is a captivating album that delves into the compositions of Annette Peacock, with the exception of one collective improvisation. Recorded in 1992 at Radio Bremen in Germany, this hat ART release features Paul Bley on piano, Franz Koglmann on trumpet and flugelhorn, and Gary Peacock on bass. The album's 12 tracks, including 'Touching - Take 1', 'El Cordobes', and 'Mister Joy', showcase the trio's interpretation of Peacock's often elusive and dissonant tunes.

Released on the hatOLOGY label in 2010, 'Annette' is a testament to Paul Bley's long-standing fascination with Annette Peacock's music. The album's free jazz and cool jazz elements are expertly woven together, creating a unique sound that is both sparse and intricate. With a duration of 1 hour and 4 minutes, 'Annette' is an immersive listening experience that highlights the talents of its performers. Paul Bley's distinctive piano playing, combined with the skilled contributions of Franz Koglmann and Gary Peacock, makes 'Annette' a must-listen for fans of jazz and improvisational music.

(C) 2010 Hat Hut Records, Ltd.

Tracks

  1. Touching - Take 1Paul Bley, Franz Kolgmann, Gary Peacock
  2. El CordobesPaul Bley, Franz Kolgmann, Gary Peacock
  3. CartoonPaul Bley, Franz Kolgmann, Gary Peacock
  4. Albert's Love ThemePaul Bley, Franz Kolgmann, Gary Peacock
  5. Kid DynamitePaul Bley, Franz Kolgmann, Gary Peacock
  6. MiraclesPaul Bley, Franz Kolgmann, Gary Peacock
  7. Blood - Take 1Paul Bley, Franz Kolgmann, Gary Peacock
  8. AnnettePaul Bley, Franz Kolgmann, Gary Peacock
  9. BothPaul Bley, Franz Kolgmann, Gary Peacock
  10. Blood - Take 2Paul Bley, Franz Kolgmann, Gary Peacock
  11. Mister JoyPaul Bley, Franz Kolgmann, Gary Peacock
  12. Touching - Take 2Paul Bley, Franz Kolgmann, Gary Peacock
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About Paul Bley

Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.

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Paul Bley

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