Thomas Arne's "Artaxerxes" is a timeless masterpiece that stands as one of the most significant operas of the 18th century. Originally premiered at the Theatre Royal, Covent Garden, in 1762, this grand opera has captivated audiences for centuries with its rich orchestration and powerful vocals. The opera, set to an English adaptation of Metastasio's libretto, features a compelling narrative loosely based on historical events, making it a fascinating exploration of love, betrayal, and redemption.
This 1996 recording, released by Hyperion, brings together the talents of the Hanover Band and Chorus, conducted by Roy Goodman, to deliver a performance that is both authentic and deeply moving. The album spans nearly two hours, offering a comprehensive experience of Arne's operatic genius. From the stirring overture to the poignant arias and duets, each track showcases the depth and range of Arne's compositional skills.
The opera's plot, centered around the Persian king Artaxerxes and his court, is brought to life through a series of beautifully crafted arias and recitatives. The performances by the cast, including Catherine Bott and Patricia Spence, are nothing short of extraordinary, capturing the essence of each character with precision and passion. The album is a testament to Thomas Arne's enduring legacy and his contribution to the world of classical music.
"Artaxerxes" is not just a recording; it is a historical and artistic treasure that continues to resonate with audiences today. Whether you are a seasoned opera enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience. The meticulous attention to detail in the performance and production ensures that every nuance of Arne's score is brought to life, making it a standout addition to any music collection.
Artaxerxes, Act I: No. 1, Overture. Poco più che andante – Larghetto – GavottaThomas Arne, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 2, Recit. Still Silence Reigns Around (Mandane/Arbaces)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman, Patricia Spence
Artaxerxes, Act I: No. 3, Duettino. Fair Aurora, Pr'ythee Stay (Mandane/Arbaces)Thomas Arne, Patricia Spence, Catherine Bott, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 4, Recit. Alas, Thou Know'st That for My Love of Thee (Arbaces/Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman, Patricia Spence
Artaxerxes, Act I: No. 5, Air. Adieu, Thou Lovely Youth (Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 6, Recit. O Cruel Parting! (Arbaces/Artabanes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman, Patricia Spence
Artaxerxes, Act I: No. 7, Air. Amid a Thousand Racking Woes (Arbaces)Thomas Arne, Patricia Spence, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 8, Recit. Be Firm My Heart (Artabanes/Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman, Ian Partridge
Artaxerxes, Act I: No. 9, Air. Behold, on Lethe's Dismal Strand (Artabanes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 10, Recit. Stay, Artaxerxes, Stay (Semira/Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman, Philippa Hyde
Artaxerxes, Act I: No. 11, Air. Fair Semira, Lovely Maid (Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 12, Recit. I Fear Some Dread Disaster (Semira/Rimenes)Thomas Arne, Richard Edgar-Wilson, Philippa Hyde, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 13, Air. When Real Joys We Miss (Rimenes)Thomas Arne, Richard Edgar-Wilson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 14, Recit. Ye Gods, Protectors of the Persian Empire (Semira)Thomas Arne, Philippa Hyde, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 15, Air. How Hard Is the Fate (Semira)Thomas Arne, Philippa Hyde, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 16, Recit. Where Do I Fly? (Mandane/Artaxerxes/Artabanes/Semira/Rimenes/Arbaces)Thomas Arne, Roy Goodman, The Parley of Instruments, Catherine Bott, Richard Edgar-Wilson, Ian Partridge, Patricia Spence, Philippa Hyde, Christopher Robson
Artaxerxes, Act I: No. 17, Air. Thy Father! Away, I Renounce the Soft Claim (Artabanes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 18, Recit. Ye Cruel Gods, What Crime Have I Committed? (Arbaces)Thomas Arne, Patricia Spence, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 19, Air. Acquit Thee of This Foul Offence (Semira)Thomas Arne, Philippa Hyde, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 20, Recit. Appearance, I Must Own, Is Strong Against Me (Arbaces/Artaxerxes/Rimenes/Mandane)Thomas Arne, Catherine Bott, Christopher Robson, The Parley of Instruments, Richard Edgar-Wilson, Roy Goodman, Patricia Spence
Artaxerxes, Act I: No. 21, Air. O Too Lovely, Too Unkind (Arbaces)Thomas Arne, Patricia Spence, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 22, Recit. Dear and Beloved Shade of My Dead Father (Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman
Artaxerxes, Act I: No. 23, Air. Fly, Soft Ideas, Fly (Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman
Artaxerxes, Act II: No. 1, Recit. Guards, Speed Ye to the Tower (Artaxerxes/Artabanes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman, Ian Partridge
Artaxerxes, Act II: No. 2, Air. In Infancy, Our Hopes and Fears (Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act II: No. 3, Recit. So Far My Great Resolve Succeeds (Artabanes/Arbaces)Thomas Arne, Roy Goodman, The Parley of Instruments, Ian Partridge, Patricia Spence
Artaxerxes, Act II: No. 4, Air. Disdainful You Fly Me (Arbaces)Thomas Arne, Patricia Spence, Roy Goodman, The Parley of Instruments
Artaxerxes, Act II: No. 5, Recit. Why, My Dear Friend, so Pensive, so Inactive? (Rimenes/Artabanes/Semira)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman, Richard Edgar-Wilson, Philippa Hyde
Artaxerxes, Act II: No. 6, Air. To Sigh and Complain (Rimenes)Thomas Arne, Richard Edgar-Wilson, Roy Goodman, The Parley of Instruments
Artaxerxes, Act II: No. 7, Recit. How Many Links to Dire Misfortune's Chain! (Semira/Mandane)Thomas Arne, Roy Goodman, The Parley of Instruments, Catherine Bott, Philippa Hyde
Artaxerxes, Act II: No. 8, Air. If o'er the Cruel Tyrant Love (Mandane)Thomas Arne, Roy Goodman, Catherine Bott, The Parley of Instruments
Artaxerxes, Act II: No. 9, Recit. Which Fatal Evil Shall I First Oppose? (Semira)Thomas Arne, Roy Goodman, Philippa Hyde, The Parley of Instruments
Artaxerxes, Act II: No. 10, Air. If the River's Swelling Waves (Semira)Thomas Arne, The Parley of Instruments, Roy Goodman, Philippa Hyde
Artaxerxes, Act II: No. 11, Recit. Ye Solid Pillars of the Persian Empire (Artaxerxes/Mandane/Artabanes/Rimenes/Semira/Arbaces)Thomas Arne, Philippa Hyde, Patricia Spence, Ian Partridge, Roy Goodman, The Parley of Instruments, Richard Edgar-Wilson, Catherine Bott, Christopher Robson
Artaxerxes, Act II: No. 12, Air. By That Belov'd Embrace (Arbaces)Thomas Arne, The Parley of Instruments, Roy Goodman, Patricia Spence
Artaxerxes, Act II: No. 13, Recit. Ah Me! At Poor Arbaces Parting (Mandane/Artabanes)Thomas Arne, Roy Goodman, Ian Partridge, Catherine Bott, The Parley of Instruments
Artaxerxes, Act II: No. 14, Air. Monster, Away! (Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman
Artaxerxes, Act II: No. 15, Recit. See, Lov'd Semira! (Artaxerxes/Semira/Artabanes)Thomas Arne, The Parley of Instruments, Christopher Robson, Ian Partridge, Philippa Hyde, Roy Goodman
Artaxerxes, Act II: No. 16, Air. Thou, Like the Glorious Sun (Artabanes)Thomas Arne, Ian Partridge, Roy Goodman, The Parley of Instruments
Artaxerxes, Act III: No. 1, Arietta. Why Is Death for Ever Late (Arbaces)Thomas Arne, Patricia Spence, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 2, Recit. Arbaces! (Artaxerxes/Arbaces)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman, Patricia Spence
Artaxerxes, Act III: No. 3, Air. Water Parted from the Sea (Arbaces)Thomas Arne, Patricia Spence, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 4, Recit. That Front, Secure in Conscious Innocence (Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 5, Air. Tho' Oft a Cloud, with Envious Shade (Artaxerxes)Thomas Arne, Christopher Robson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 6, Recit. My Son, Arbaces – Where Art Thou Retir'd? (Artabanes/Rimenes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman, Richard Edgar-Wilson
Artaxerxes, Act III: No. 7, Air. O Let the Danger of a Son (Rimenes)Thomas Arne, Richard Edgar-Wilson, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 8, Recit. Ye Adverse Gods! (Artabanes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 9, Air. O, Much Lov'd Son, If Death (Artabanes)Thomas Arne, Ian Partridge, The Parley of Instruments, Roy Goodman
Artaxerxes, Act III: No. 10, Recit. Perhaps the King Releas'd Arbaces (Mandane/Semira)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman, Philippa Hyde
Artaxerxes, Act III: No. 11, Air. Let Not Rage Thy Bosom Firing (Mandane)Thomas Arne, Catherine Bott, The Parley of Instruments, Roy Goodman
Thomas Arne, born in the heart of London in 1710, was a pioneering figure in English music, renowned for his prolific compositions and significant contributions to the theatre scene of the 18th century. Despite his father's initial discouragement, Arne pursued his passion for music, leaving Eton to dedicate himself to a career in composition. He became a leading light in British theatre music, creating operatic entertainments and musical settings for the works of William Shakespeare. Arne's most enduring legacy includes the patriotic anthem "Rule, Britannia!" and the timeless tune "A-Hunting We Will Go," both of which continue to resonate with audiences today. His works were frequently performed at prestigious venues like the Royal Opera House, Covent Garden, and other London theatres and pleasure gardens. Arne's musical genius spanned various genres, from operas and concertos to sinfonias and sonatas, making him an indispensable figure in the history of English music.
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