Immerse yourself in the rich tapestry of medieval music with Pierre Attaingnant's "Que je chatoulle ta fossette," a captivating collection of dances and instrumental pieces released in 2010. This album, performed by the esteemed ensemble Doulce Memoire under the direction of Denis Raisin Dadre, offers a delightful journey through the vibrant musical landscape of the Renaissance.
Attaingnant, a pioneering French music publisher, compiled these "Danceries" or dance tunes, which were immensely popular in the 16th century. The album features a variety of dance forms, including pavanes, gaillardes, branles, and basses dances, each showcasing the intricate rhythms and melodies that characterized the era. Tracks like "Basse dance 'La Magdalena & Tourdion'" and "Branle gay 'Que je chatoulle ta fossette'" highlight the lively and spirited nature of these dances, while pieces such as "Amour pense que je dorme" and "Languir me fais" offer a more introspective and lyrical contrast.
With a duration of 1 hour and 13 minutes, this album provides a comprehensive exploration of Attaingnant's musical contributions. The meticulous performance by Doulce Memoire brings to life the historical significance and artistic beauty of these compositions, making it a valuable addition to any classical music enthusiast's collection. Whether you're a seasoned fan of medieval music or a newcomer eager to discover the treasures of the past, "Que je chatoulle ta fossette" promises an engaging and enriching listening experience.
Pierre Attaingnant, a pioneering figure in the world of music publishing, was a French printer and publisher whose innovations significantly impacted the dissemination of musical works. Active in Paris, Attaingnant is renowned for being one of the first to employ single-impression printing, a technique that revolutionized the process by greatly reducing the labor involved. His contributions to the music world are immense, having published works by over 150 composers, including the first editions of keyboard music in France in 1531. Attaingnant's legacy extends beyond his technical innovations; his workshops in the Rue de la Harpe were hubs of creativity and tension, reflecting the vibrant musical culture of the time. His influence as a royal printer of music and his extensive catalog of published works make him a key figure in the history of medieval music.
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