austin: the beggar's opera - polly - frederic austin
Austin: The Beggar's Opera - Polly
Frederic Austin
2011
54 tracks
1 uur, 8 min
Tracks
The Beggar's Opera, Act I: Virgins Are like the fair flower (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: Can love be controlled by advice? (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: O Polly, you might have toy'd and kiss'd (Mrs. Peachum, Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: A fox may steal your hens (Mrs. Peachum) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: O ponder well (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: The turtle thus with plaintive crying (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: My heart was so free (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: Were I laid on Greenland's coast (Polly, Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act I: Oh! What pain It Is to part (Polly, Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Fill every glass (Filch, Chorus) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Let us take the road (Filch, Chorus) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: If the heart of a man (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Music to a Dialogue (After J.C. Pepusch Version)Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Why, how now Madame Flirt? (Molly Brazen, Mrs. Vixen) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Before the barn door crowing (Jenny Diver, Ladies Chorus) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Man may escape from rope and gun (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Thus when a good housewife sees a rat (Lucy) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: The first time at the looking glass (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Thus gamesters united in friendship Are found (Peachum, Lockit) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Thus when the swallow (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: How happy I could be with either (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: I'm bubbled, I'm troubled (Polly, Lucy) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act II: Cease your funning (Polly) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: Here in a humour I was of late (Tenor, Chorus) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: The modes of the Court so common Are grown (Macheath, Filch, Chorus) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: In the days of my youth (Diana Trapes, Peachum, Lockit) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: Interlude (After J.C. Pepusch Version)Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: I'm like a skiff on the ocean tost (Lucy) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: O cruel, cruel case (Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
The Beggar's Opera, Act III: Would I might be hanged (Polly, Lucy, Macheath) [After J.C. Pepusch Version]Frederic Austin, Arthur Wynn, Frederick Ranalaw, Alfred Heather, Nellie Walker, Nonny Lock, Sylvia Nelis, Kingsway Theatre Orchestra, Studio Chorus, Eugene Goossens
Polly, Act I: She who hath felt a real pain (Polly) [After J.C. Pepusch Version]Frederic Austin, Clifford Bax, Lilian Davies, Stanley Vilven, Winifred Hare, Pitt Chatham, Percy Parsons, Adrienne Brune, Lovat Crosley, Gladys Sinclair, Studio Chorus, Kingsway Theatre Orchestra, Eugene Goossens
Polly, Act I: The Crow or Daw (Polly) [After J.C. Pepusch Version]Frederic Austin, Clifford Bax, Lilian Davies, Stanley Vilven, Winifred Hare, Pitt Chatham, Percy Parsons, Adrienne Brune, Lovat Crosley, Gladys Sinclair, Studio Chorus, Kingsway Theatre Orchestra, Eugene Goossens
Polly, Act I: I will have my humours (Mr. Ducat, Polly) [After J.C. Pepusch Version]Clifford Bax, Frederic Austin, Lilian Davies, Stanley Vilven, Winifred Hare, Pitt Chatham, Percy Parsons, Adrienne Brune, Lovat Crosley, Gladys Sinclair, Studio Chorus, Kingsway Theatre Orchestra, Eugene Goossens
Polly, Act I: When a woman jealous grows (Mr. And Mrs. Ducat) [After J.C. Pepusch Version]Frederic Austin, Clifford Bax, Lilian Davies, Stanley Vilven, Winifred Hare, Pitt Chatham, Percy Parsons, Adrienne Brune, Lovat Crosley, Gladys Sinclair, Studio Chorus, Kingsway Theatre Orchestra, Eugene Goossens
Immerse yourself in the timeless charm of "The Beggar's Opera - Polly" by Frederic Austin, a captivating exploration of John Gay's iconic work, reimagined through the lens of J.C. Pepusch's original music. Released on August 2, 2011, under the Symposium label, this album is a testament to the enduring appeal of this 18th-century ballad opera, which satirizes the social and political issues of its time.
Frederic Austin, a renowned figure in the world of opera and theatre, brings his unique perspective to this classic tale of love, deception, and social commentary. The album spans a concise yet engaging 68 minutes, featuring a rich tapestry of arias and ensembles that showcase the wit and depth of Gay's libretto. From the playful innocence of "Virgins Are like the fair flower" to the dramatic intensity of "O cruel, cruel case," each track offers a glimpse into the complex characters and intricate plotlines that have captivated audiences for centuries.
The album is divided into two main parts: "The Beggar's Opera" and "Polly," the latter being a sequel to the original opera. Both parts are presented in their entirety, allowing listeners to experience the full narrative arc of these beloved works. The performances are brought to life by a talented cast of singers, accompanied by a period-appropriate orchestra, creating an authentic and immersive listening experience.
Whether you're a seasoned opera enthusiast or a newcomer to the genre, "The Beggar's Opera - Polly" offers a delightful introduction to the world of 18th-century ballad opera. With its engaging storytelling, memorable melodies, and insightful social commentary, this album is a must-listen for anyone interested in the rich history of musical theatre.
2011 Symposium2011 Symposium
About Frederic Austin
Frederic Austin, born on 30 March 1872 in Poplar, Middlesex, was a versatile English musician who left an indelible mark as a baritone singer, composer, and teacher. Active from 1905 to 1930, Austin is celebrated for his captivating arrangements, notably his rendition of Johann Pepusch's music for the 1920 production of "The Beggar's Opera" and its sequel "Polly" in 1922. He also popularized the beloved melody of the carol "The Twelve Days of Christmas." Austin's musical journey began in Birkenhead, where he was raised, and later flourished as a composition teacher at the Liverpool College of Music. Beyond his musical contributions, Austin was known for his tireless energy and popularity on the English music scene. His legacy endures, inviting audiences to explore the rich tapestry of his work.
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