Avison, C.: Concertos from Opus 9

Album Description

Dive into the rich musical heritage of the Baroque era with Charles Avison's "Concertos from Opus 9." This captivating album, released on April 1, 2013, under the Diversions label, showcases Avison's mastery of the concerto grosso form, a genre that highlights the interplay between a small group of soloists and a larger ensemble. The album features a selection of Avison's most celebrated concertos from his Opus 9 set, which were immensely popular during his lifetime and continue to be admired for their intricate compositions and expressive depth.

The album spans a duration of 46 minutes, offering a concise yet comprehensive exploration of Avison's musical genius. Each concerto is meticulously crafted, with movements that range from the serene and contemplative to the lively and energetic. The tracks include a variety of tempos and moods, from the soothing "Largo" movements to the spirited "Allegro" sections, providing a dynamic listening experience.

Charles Avison, a prominent English composer of the Baroque period, is known for his innovative approach to music and his significant contributions to the development of the concerto grosso. His works often reflect a deep understanding of musical expression and a keen ear for orchestration. This album is a testament to his enduring legacy and his ability to create timeless pieces that resonate with listeners across generations.

Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Concertos from Opus 9" offers a delightful journey through the Baroque era. The album's high-quality recordings ensure that every nuance of Avison's compositions is captured, allowing you to fully appreciate the beauty and complexity of his music.

1 apr 2013

2013 Diversions

2013 (P) Diversions

About Charles Avison

Charles Avison, born in 1709 in Newcastle upon Tyne, was a pioneering English composer and organist whose work bridged the Baroque and Classical periods. Avison's musical journey began in the churches of Newcastle, where he served as an organist at St John The Baptist and St Nicholas's Church. His compositions, which include over 80 works, are notable for their transitional style, blending the ornate Baroque idiom with the emerging Classical forms.

Avison is perhaps best known for his 12 Concerti Grossi after Scarlatti, which showcase his mastery of the concerto form. His Essay on Musical Expression, published in 1752, was a groundbreaking work, marking the first instance of music criticism in the English language. This essay, along with his compositions, reflects Avison's deep engagement with the musical culture of his time and his willingness to challenge established norms, as seen in his advocacy for the music of his mentor, Francesco Geminiani, over that of Handel.

Avison's legacy extends beyond his compositions, encompassing his roles as a teacher, conductor, and performer. By the time he reached his 50s, he had established himself as a significant figure in English music, leaving an indelible mark on the musical landscape of his era. His works, which include a variety of instrumental pieces such as sonatas and concerti, continue to be celebrated for their innovation and artistic merit. Avison passed away in 1770, leaving behind a rich musical heritage that continues to inspire and inform.