Dive into the rich, intricate world of jazz with Warne Marsh's 1986 album, "Back Home." This captivating collection of tracks showcases Marsh's mastery across a spectrum of jazz genres, from cool jazz to hard bop and even free jazz. The album opens with "Leave Me" and closes with "Joy Spring," offering a journey through Marsh's virtuosic playing and compositional prowess. With a runtime of over an hour, the album includes alternate takes of several tracks, providing a deeper insight into Marsh's creative process. Released under the Criss Cross Jazz label, "Back Home" is a testament to Marsh's enduring influence and innovation in the jazz world. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album promises a rewarding listening experience.
1986 Criss Cross Jazz2009 Criss Cross Jazz
Tracks
Leave MeWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
See Me Now, If You CouldWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Two Not OneWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Big Leaps For LesterWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Back HomeWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Heads UpWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Good BaitWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Rhythmically SpeakingWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Joy SpringWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Big Leaps For Lester - Alt. TakeWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Good Bait - Alt. TakeWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Back Home - Alt. TakeWarne Marsh, Jimmy Halperin, Barry Harris, David Williams, Albert Tootie Heath
Warne Marsh, born in Los Angeles in 1927, was an American tenor saxophonist whose innovative style left an indelible mark on the jazz world. Emerging in the 1950s as a protégé of the legendary pianist Lennie Tristano, Marsh quickly established himself as a formidable force in cool jazz and beyond. His playing was characterized by a beautiful, distinctive sound, impeccable technique, and a remarkable ability to weave complex, logical melodies at lightning speed. Marsh's discography spans a wide range of genres, including hard bop, bebop, and even free jazz, showcasing his versatility and musical depth. Throughout his career, he collaborated with jazz greats such as Stan Getz, Lee Konitz, Barry Harris, and Hoagy Carmichael, leaving behind a rich legacy that continues to inspire musicians and captivate audiences today. Marsh's advanced command of harmony and his unique approach to improvisation set him apart, making him one of the most inventive communicators in jazz.
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