Bad Boy of Music

Dive into the avant-garde world of George Antheil with his 1995 album "Bad Boy of Music," released under Albany Records. This captivating collection of compositions spans a diverse range of moods and styles, showcasing Antheil's innovative spirit and boundary-pushing approach to music.

The album opens with the dynamic "Airplane Sonata," featuring two distinct movements that contrast speed and tempo, followed by the primal energy of "Sonata Sauvage," a three-movement suite that evokes raw, untamed emotions. Inspired by the surrealist works of Max Ernst, "La Femme 100 Têtes" is a sprawling, 13-part exploration of sound and imagination, each section offering a unique sonic landscape.

Antheil's versatility shines through in the "Valentine Waltzes," a series of eleven elegant and romantic pieces that provide a delicate counterpoint to the album's more experimental tracks. The album also includes selections from his opera "Transatlantic," with the "Tango" offering a taste of his theatrical compositions.

The album closes with the lively "Sonata No. 4," a three-movement work that encapsulates Antheil's ability to blend classical structures with modern sensibilities. Throughout "Bad Boy of Music," Antheil's genius as a composer and his fearless approach to musical innovation are on full display, making this a compelling listen for fans of avant-garde music and those seeking to explore the outer reaches of classical composition.