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Batalla de Alarcos, 1195. Alfonso VIII de Castilla y los Almohades

Eduardo PaniaguaEduardo Paniagua
Batalla de Alarcos, 1195. Alfonso VIII de Castilla y los Almohades - Eduardo Paniagua

Album Description

"Batalla de Alarcos, 1195. Alfonso VIII de Castilla y los Almohades" by Eduardo Paniagua is a captivating journey through the sounds of medieval Spain, blending the cultural and musical influences of the period. Released on February 11, 2008, under the Pneuma label, this album spans a rich hour and five minutes, featuring 12 tracks that seamlessly weave together medieval, Sufi, and traditional music genres.

Eduardo Paniagua, a renowned figure in the world of historical and traditional music, curates a collection that reflects the intricate tapestry of sounds from the Iberian Peninsula during the late 12th century. The album opens with "Tu Ausencia," setting a contemplative tone that carries through tracks like "Sueño de Villa Real" and "Nana de Alarcos." Each piece is meticulously crafted, showcasing Paniagua's deep understanding and respect for the historical context and musical styles of the era.

The album's standout tracks include "Quo pot esser sufritz / Buen Señor Dios, ¡Cómo Puede Soportarse!" and "Mout es bona terr' Espanha / Muy Buena Tierra Es España," which highlight the linguistic and cultural fusion of the time. "Can vei la lauzeta mover (Instrumental)" offers a serene interlude, while "Dios Es Magnífico" concludes the album with a powerful, uplifting note.

"Batalla de Alarcos, 1195. Alfonso VIII de Castilla y los Almohades" is not just a collection of songs but a historical and cultural exploration. It invites listeners to immerse themselves in the sounds of a bygone era, offering a unique perspective on the musical heritage of medieval Spain. Whether you're a fan of historical music or simply appreciate beautifully crafted compositions, this album is a treasure trove of sonic delights."

2007 Pneuma

Tracks

  1. Tu AusenciaEduardo Paniagua, Anonymus Andalusí
  2. Belh senher dieus, Quo pot esser sufritz / Buen Señor Dios, ¡Cómo Puede Soportarse!Eduardo Paniagua, Giraut de Bornelh
  3. Sueño de Villa RealEduardo Paniagua, Anonymus
  4. Senhor per les nostres peccatz (Señores Por Nuestros Pecados)Eduardo Paniagua, Gavaudan (1195-1211)
  5. Mout es bona terr' Espanha / Muy Buena Tierra Es EspañaEduardo Paniagua, Peire Vidal
  6. Todos los AmantesEduardo Paniagua, Anonymus Andalusí
  7. Miei sirventes vuolh far dels reis amdos / Medio Sirvientes Quiero Hacer Sobre Los Dos ReyesEduardo Paniagua, Bertran de Born
  8. Nana de AlarcosEduardo Paniagua, Anonymus Andalusí
  9. Hueimais no y consc razo / De Ahora en Adelante No Conozco RazónEduardo Paniagua, Folquet de Marselha
  10. Can vei la lauzeta mover (Instrumental)Eduardo Paniagua, Bernart de Ventadorn
  11. Bel m'es, quan la roza floris / Me Gusta Cuando la Rosa FloreceEduardo Paniagua, Peire D'Alvernha (1149-1168)
  12. Dios Es MagníficoEduardo Paniagua, Anonymus Andalusí
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About Eduardo Paniagua

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.

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Eduardo Paniagua

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