beethoven: 12 variations on "ein mädchen oder weibchen" for cello and piano, op. 66; sonatas for cello and piano, op. 5; 7 variations on "bei männern, welche liebe fühlen", for cello and piano, woo 46 - ludwig van beethoven
Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66; Sonatas For Cello And Piano, Op. 5; 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46
Immerse yourself in the timeless elegance of Ludwig van Beethoven's masterful compositions with this exquisite album, released on January 1, 1991, by Deutsche Grammophon. Spanning a captivating hour and five minutes, this collection showcases the genius of Beethoven through a blend of classical piano and chamber music, offering a rich tapestry of sonatas and variations that highlight the depth and versatility of his musical prowess.
The album opens with the enchanting "12 Variations for Cello and Piano on 'Ein Mädchen oder Weibchen', Op. 66," a piece that demonstrates Beethoven's ability to weave intricate variations around a central theme, creating a mesmerizing journey through different moods and tempos. Following this, the "Cello Sonata No. 1 in F Major, Op. 5 No. 1" and "Cello Sonata No. 2 in G Minor, Op. 5 No. 2" present a stunning display of Beethoven's sonata form, characterized by their lyrical melodies and dynamic contrasts.
The album concludes with the delightful "7 Variations for Cello and Piano on 'Bei Männern, welche Liebe fühlen', WoO 46," a set of variations that exudes charm and wit, showcasing Beethoven's playful side. Throughout the album, the interplay between the cello and piano is nothing short of magical, with each instrument complementing and elevating the other in a harmonious dialogue.
This album is a testament to Beethoven's enduring legacy, offering a glimpse into the mind of one of the most influential composers in history. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this collection promises to captivate and inspire, making it a valuable addition to any music lover's collection.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Theme. AllegrettoLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 1Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 2Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 3Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 4Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 5Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 6Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 7Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 8Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 9Ludwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 10. AdagioLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 11. Poco adagio, quasi andanteLudwig van Beethoven, Mischa Maisky, Martha Argerich
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 12. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ia. Adagio sostenuto –Ludwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ib. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: Ic. Adagio – PrestoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 1 in F Major, Op. 5 No. 1: II. Rondo. Allegro vivaceLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto ed espressivoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto prestoLudwig van Beethoven, Mischa Maisky, Martha Argerich
Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. AllegroLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Theme. AndanteLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 1Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 2Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 3Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 4Ludwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 5. Si prenda il tempo un poco più vivaceLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 6. AdagioLudwig van Beethoven, Mischa Maisky, Martha Argerich
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 7. Allegro, ma non troppo – CodaLudwig van Beethoven, Mischa Maisky, Martha Argerich