Immerse yourself in the enchanting world of Bent Sørensen's "Mignon," a captivating album that showcases the Danish composer's unique blend of modernist and nostalgic styles. Released in 2017 on the Dacapo label, this album features a stunning performance by Katrine Gislinge, one of Scandinavia's most esteemed pianists, accompanied by the Lapland Chamber Orchestra under the baton of conductor John Storgårds.
At the heart of this album is Sørensen's piano concerto "Mignon," the second installment in his celebrated "Papillons" trilogy. This masterful work is a testament to Sørensen's ability to weave textural beauty and melodic elegance into a rich, evocative tapestry. The concerto is scored for piano and strings, with a unique spatial arrangement that includes a string orchestra, two string quartets, and two solo violins, creating a immersive and dynamic listening experience.
The album also includes a variety of other works by Sørensen, each demonstrating his distinctive voice and compositional prowess. From the delicate intricacies of "Serenissima" to the haunting beauty of "The Weeping White Room," these pieces offer a diverse and engaging exploration of Sørensen's musical landscape.
With a duration of over an hour and fifteen minutes, "Mignon" is a substantial and rewarding listen, offering a deep dive into the world of one of contemporary classical music's most compelling composers. Whether you're a longtime fan of Bent Sørensen or a newcomer to his work, this album is sure to captivate and inspire.
Bent Sørensen, born in 1958, is a celebrated Danish composer whose music is renowned for its atmospheric and evocative qualities. With a distinctive voice that blends modernist techniques with a deep appreciation for conventional intervals and song structures, Sørensen's compositions often evoke a sense of nostalgia and introspection. His works, such as the triple concerto "L'isola della Città," have garnered international acclaim, including the prestigious 2018 Grawemeyer Award for Music Composition.
Sørensen's musical journey began with studies under notable figures like Ib Nørholm and Per Nørgård, and his breakthrough came with the string quartet "Alman" in 1984. His compositions are characterized by their delicate, flickering textures and a penchant for blurring harmonies with microtonal inflections. Whether composing for orchestra, chamber ensembles, or vocal works like his "St. Matthew Passion," Sørensen's music invites listeners into a world where the familiar and the elusive coexist, creating a deeply immersive and emotionally resonant experience.
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