Berio, Amy, Darasse, Jolas, Boesmans

Bernard Foccroulle's 1989 release, "Berio, Amy, Darasse, Jolas, Boesmans," is a captivating exploration of contemporary classical music, spanning a concise yet impactful 58 minutes. This album, released under the Ricercar label, showcases Foccroulle's versatility and mastery as a performer, presenting a diverse collection of works by five distinct composers.

The album opens with "Fa-Si," a piece that immediately draws the audience in with its intricate and expressive melodies. Foccroulle's nuanced performance brings out the depth and complexity of this composition. The "Sept bagatelles" follow, offering a delightful contrast with their playful and lighthearted character. Foccroulle's technical prowess is evident in his handling of these intricate, small-scale pieces.

The album then delves into the hauntingly beautiful "Organum" series, with "Organum III" and "Organum II" showcasing Foccroulle's ability to evoke a sense of timelessness and spiritual depth. His interpretation of these pieces is both powerful and delicate, highlighting the subtle nuances of the compositions.

"Musique de jour" brings a sense of brightness and vitality to the album, with Foccroulle's performance capturing the essence of the piece's lively and dynamic nature. The album concludes with "Fanfare II," a grand and triumphant finale that leaves a lasting impression.

Throughout the album, Foccroulle's artistry shines, making this a compelling listen for fans of contemporary classical music and a testament to the enduring appeal of these compositions.