"Big Two" is a captivating double album featuring the legendary tenor saxophonist Warne Marsh, accompanied by the esteemed bassist Red Mitchell. Released on September 14, 2009, by Storyville Records, this collection spans a variety of jazz genres, including cool jazz, hard bop, bebop, and even touches of free jazz, showcasing the versatility and mastery of Marsh and Mitchell.
The album is a testament to Marsh's unique style, often compared to his mentor, Lennie Tristano, yet distinctly his own. With a running time of 1 hour and 52 minutes, "Big Two" offers an extensive journey through 23 tracks, each a gem in its own right. From the swinging "317 East 32nd St." to the iconic "Ornithology," and the tender "Embraceable You," the album is a rich tapestry of jazz classics and original compositions.
This release captures Marsh's first visit to Europe, with performances recorded at the Montmartre in Copenhagen. The chemistry between Marsh and Mitchell is palpable, their interplay a highlight of the album. The packaging is a brilliant jewel case, housing two CDs that together create a comprehensive and engaging listening experience.
"Big Two" is not just a collection of songs but a historical document of a significant moment in jazz history. It's a rare opportunity to experience the genius of Warne Marsh and Red Mitchell in a live setting, playing some of the most beloved and influential tunes in the jazz canon. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album is sure to delight and inspire.
Warne Marsh, born in Los Angeles in 1927, was an American tenor saxophonist whose innovative style left an indelible mark on the jazz world. Emerging in the 1950s as a protégé of the legendary pianist Lennie Tristano, Marsh quickly established himself as a formidable force in cool jazz and beyond. His playing was characterized by a beautiful, distinctive sound, impeccable technique, and a remarkable ability to weave complex, logical melodies at lightning speed. Marsh's discography spans a wide range of genres, including hard bop, bebop, and even free jazz, showcasing his versatility and musical depth. Throughout his career, he collaborated with jazz greats such as Stan Getz, Lee Konitz, Barry Harris, and Hoagy Carmichael, leaving behind a rich legacy that continues to inspire musicians and captivate audiences today. Marsh's advanced command of harmony and his unique approach to improvisation set him apart, making him one of the most inventive communicators in jazz.
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