Blasé / Live At The Pan - African Festival - Archie Shepp

Album Description

Archie Shepp's "Blasé / Live At The Pan-African Festival" is a powerful testament to the legendary saxophonist's enduring influence in the world of jazz. Recorded live at the Pan-African Festival in 1970, this album captures Shepp at the height of his creative powers, delivering a raw and unfiltered performance that spans the genres of free jazz, hard bop, and avant-garde. The album features two extended tracks, "Brotherhood At Ketchaoua" and "We Have Come Back Part 1," each showcasing Shepp's signature fiery sax playing and his ability to push musical boundaries.

The album was originally released in 1999 by Charly Records, but it was reissued in 2008, making it accessible to a new generation of jazz enthusiasts. With a running time of just under 47 minutes, this live recording is a thrilling journey through Shepp's innovative sound, characterized by its intense energy and spiritual depth. Fans of Archie Shepp's earlier works, such as "Blasé" from 1969 and "Fire Music" from 1965, will find much to appreciate in this live performance, which highlights his unique blend of musical styles and his commitment to social and political themes. Whether you're a longtime fan of Archie Shepp or a newcomer to his music, "Blasé / Live At The Pan-African Festival" is a captivating exploration of one of jazz's most influential figures.

1 januari 1999

1999 Charly Records

About Archie Shepp

Archie Shepp is a towering figure in the world of jazz, renowned for his pioneering role in the development of avant-garde and free jazz. Born in Fort Lauderdale, Florida, in 1937, Shepp's musical journey began with his father's love for swing and folk music, leading him to pick up the saxophone and piano. His career took off in the 1960s when he joined the groundbreaking bands of Cecil Taylor and John Coltrane, contributing to iconic works like "A Love Supreme" and "The World of Cecil Taylor."

Shepp's discography is a testament to his versatility and activism, blending traditional jazz with avant-garde influences. Albums like "Four for Trane" and "Attica Blues" showcase his creative improvisation and Afrocentric approach to music. "Attica Blues," in particular, is a powerful response to the Attica Prison riots, highlighting Shepp's commitment to social justice and civil rights.

Throughout his career, Shepp has collaborated with a who's who of jazz legends, including Horace Parlan, Mal Waldron, and Jason Moran. His work extends beyond music into the realms of theater, poetry, and academia, making him a true polymath in the arts. Shepp's contributions to jazz are not just musical; they are a journey through the cultural and political landscapes of America, making him a legend whose influence continues to resonate.