Bloody Kisses

Released in May 1994, "Bloody Kisses" is the third studio album by the American gothic metal band Type O Negative. This album is a pivotal work in the band's discography, marking their final recording with the original lineup before drummer Sal Abruscato's departure. "Bloody Kisses" is a sprawling journey through the dark and atmospheric sounds that Type O Negative is known for, blending elements of gothic metal and doom metal into a cohesive and haunting experience.

The album opens with the unsettling "Machine Screw," an ambient introduction that sets the tone for the rest of the record. Tracks like "Christian Woman" and "Black No. 1 (Little Miss Scare-All)" became fan favorites and earned the band a significant cult following. These songs, along with others like "Fay Wray Come Out and Play" and "Kill All the White People," showcase the band's signature blend of heavy riffs, moody atmospheres, and Peter Steele's distinctive vocals.

"Bloody Kisses" is notable for its diverse range of styles, from the haunting ballad "Too Late: Frozen" to the intense and aggressive "We Hate Everyone." The album also includes re-recorded versions of songs from their earlier work, such as "Christian Woman - Butt-Kissing, Sell-Out Version" and "Blood & Fire - Out of the Ashes Mix," providing a fresh take on familiar material.

Recorded in February and March 1993 at Systems Two, "Bloody Kisses" features a production that emphasizes the band's dark and brooding sound. The album's cover art, featuring a striking image of a woman with a rose in her mouth, has become iconic and is often associated with the band's unique aesthetic.

With a running time of over an hour and a half, "Bloody Kisses" is a substantial and immersive listening experience. It remains a cornerstone of Type O Negative's discography and a key work in the gothic metal genre. The album's enduring popularity is a testament to the band's ability to create music that is both powerful and evocative, making it a staple for fans of dark and atmospheric metal.