Mozart: Maurerische Trauermusik, K. 477Wolfgang Amadeus Mozart, London Classical Players, Sir Roger Norrington
Mozart / Compl. Druce: Requiem in D Minor, K. 626: I. IntroitusWolfgang Amadeus Mozart, Sir Roger Norrington, Nancy Argenta, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: II. KyrieWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: III. Dies iraeWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: IV. Tuba mirumWolfgang Amadeus Mozart, Sir Roger Norrington, Alastair Miles, Catherine Robbin, John Mark Ainsley, Nancy Argenta, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: V. Rex tremendaeWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: VI. RecordareWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: VII. ConfutatisWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: VIII. LacrimosaWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: IX. AmenWolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: X. Domine Jesu ChristeWolfgang Amadeus Mozart, Sir Roger Norrington, Alastair Miles, Catherine Robbin, John Mark Ainsley, Nancy Argenta, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: XI. HostiasWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: XII. SanctusWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: XIII. BenedictusWolfgang Amadeus Mozart, Sir Roger Norrington, Alastair Miles, Catherine Robbin, John Mark Ainsley, Nancy Argenta, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: XIV. Agnus DeiWolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Mozart / Compl. Druce: Requiem in D Minor, K. 626: XV. CommunioWolfgang Amadeus Mozart, Sir Roger Norrington, Nancy Argenta, Schütz Choir of London, London Classical Players
Mozart: Ave verum corpus, K. 618Wolfgang Amadeus Mozart, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Begräbnisgesang Op. 13Johannes Brahms, Schütz Choir of London/London Classical Players/Sir Roger Norrington, Sir Roger Norrington, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragenJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie GrasJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch michJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine WohnungenJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun TraurigkeitJohannes Brahms, Sir Roger Norrington, Lynne Dawson, Schütz Choir of London, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende StattJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Brahms: Ein deutsches Requiem, Op. 45: VII. Selig sind die TotenJohannes Brahms, Lynne Dawson, Olaf Bär, Sir Roger Norrington, Schütz Choir of London, London Classical Players
Sir Roger Norrington is a distinguished English conductor renowned for his passionate advocacy of historically informed performances. With a career spanning decades, Norrington has captivated audiences worldwide with his fresh and vibrant interpretations of Baroque, Classical, and Romantic repertoires. His commitment to authenticity and expressive depth brings a unique perspective to each piece, making every concert an immersive journey through musical history. Norrington's dynamic conducting style and deep musical insight ensure that every performance is a memorable experience, inviting audiences to engage with the music in a profound and meaningful way.
Sir Roger Norrington's "Brahms Mozart Requiem" is a captivating journey through two of classical music's most profound and moving works. Released on April 1, 2013, under the Warner Classics label, this album offers a unique blend of Mozart's iconic "Requiem in D Minor, K. 626" and Brahms' soul-stirring "Ein deutsches Requiem, Op. 45." With a total runtime of 2 hours and 5 minutes, the album is a testament to Norrington's masterful conducting and his ability to bring out the deepest emotions in these timeless compositions.
The album begins with Mozart's "Maurerische Trauermusik," setting the stage for the powerful "Requiem," which is presented in its complete form, including the rarely heard "Amen" and "Communio." Norrington's interpretation is both respectful of tradition and refreshingly innovative, offering a fresh perspective on these well-loved works. The second half of the album is dedicated to Brahms' "Ein deutsches Requiem," a work that explores themes of comfort and hope in the face of loss. Norrington's rendition is particularly notable for its clarity and precision, allowing each voice and instrument to shine.
Sir Roger Norrington, known for his dynamic and engaging performances, brings a wealth of experience and insight to this recording. His interpretations are informed by a deep understanding of the historical context and musical styles of the works, resulting in performances that are both authentic and deeply moving. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.