Cantigas de Huesca, Santa María de Salas

Immerse yourself in the enchanting world of medieval and traditional music with Eduardo Paniagua's latest double album, "Cantigas de Huesca, Santa María de Salas." Released on December 2, 2022, under the Pneuma label, this captivating collection spans over two hours and twenty-two minutes, offering a rich tapestry of historical and cultural resonance.

Eduardo Paniagua, a renowned figure in the realm of medieval and traditional music, presents a meticulously curated selection of cantigas—medieval songs that narrate tales of miracles, faith, and daily life. The album draws from the rich musical heritage of the Huesca region and the Santa María de Salas monastery, blending sufi influences to create a unique and immersive auditory experience.

Each of the 28 tracks tells a story, from the miraculous healings of "CSM 166 Tullido Curado en Salas" and "CSM 129 Saeta en el Ojo y Santa María de Salas" to the dramatic tales of "CSM 191 La Caída de la Alcaldesa de Ródenas de Albarracín" and "CSM 176 El Cautivo de Mallorca Liberado." The album's diverse repertoire also includes enchanting pieces like "CSM 161 El Viñedo Protrgido del Granizo en Morella" and "CSM 44 El Azor Perdido del Caballero," showcasing the depth and variety of medieval musical expression.

Paniagua's masterful arrangements and performances bring these ancient songs to life, transporting you to a bygone era. The album's double CD format ensures that you can fully indulge in the rich, historical soundscape that Paniagua has crafted. Whether you are a seasoned enthusiast of medieval music or a curious newcomer, "Cantigas de Huesca, Santa María de Salas" promises a rewarding and enlightening listening experience.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.