Cantigas de Jerusalén

"Cantigas de Jerusalén" by Eduardo Paniagua is a captivating journey through the sacred and historical landscapes of Jerusalem, presented through the lens of medieval, Sufi, and traditional music. Released on October 27, 2017, under the Pneuma label, this album spans a rich hour and four minutes, inviting listeners to explore the spiritual and cultural tapestry of the holy city.

Eduardo Paniagua, a renowned figure in the world of ancient music, weaves together a collection of tracks that transport the listener to significant sites and moments in Jerusalem's history. From the resonant echoes of "Iglesia o Sinagoga en Diospolis" to the serene beauty of "Getsemaní, La Virgen de la Leche," each piece is a testament to Paniagua's mastery of medieval and traditional musical styles.

The album features a blend of instrumental and vocal compositions, including the hauntingly beautiful "Las Peregrinas de Sigüenza a Jerusalén" and the evocative "Varón de Ultramar en Jerusalén." Paniagua's meticulous attention to detail and deep understanding of historical music make "Cantigas de Jerusalén" a standout addition to his discography, which includes notable works like "Cantigas de Ultramar" and "Cantigas de Alejandría."

Whether you are a devotee of medieval music or simply seeking to immerse yourself in the rich cultural heritage of Jerusalem, "Cantigas de Jerusalén" offers a profound and enriching experience. The album's unique fusion of genres and Paniagua's unparalleled expertise ensure that it will resonate with anyone drawn to the timeless allure of ancient music.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.