Cantigas de Ultramar

Embark on a journey through time and culture with Eduardo Paniagua's "Cantigas de Ultramar," a captivating exploration of medieval, Sufi, and traditional music. Released on January 13, 2017, under the Pneuma label, this album spans an impressive 2 hours and 7 minutes, offering a rich tapestry of 13 tracks that blend historical and spiritual themes.

Eduardo Paniagua, a renowned figure in the world of ancient music, curates a collection that delves into the mystical and historical narratives of the Byzantine Empire and beyond. The album features a mix of instrumental and vocal pieces, each meticulously crafted to evoke the essence of its subject matter. From the haunting melodies of "El Icono en la Piedra" to the dramatic retellings of "El Cerco de Constantinopla," Paniagua's compositions transport the audience to a bygone era.

The tracks, recorded between October 2014 and June 2015, showcase Paniagua's deep understanding of medieval and Sufi musical traditions. The album's title, "Cantigas de Ultramar," hints at the distant lands and cultures that inspired these pieces, making it a fascinating listen for those interested in the intersection of history, spirituality, and music.

Whether you're a seasoned enthusiast of traditional music or a curious newcomer, "Cantigas de Ultramar" promises a rich and immersive experience. Eduardo Paniagua's masterful compositions and the album's diverse influences make it a standout addition to any music collection.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.