Cantigas de Viola de Rueda

"Cantigas de Viola de Rueda" is a captivating journey into the world of medieval and traditional music, masterfully curated by Eduardo Paniagua. Released on April 4, 2005, under the Pneuma label, this album spans 57 minutes of enchanting melodies performed on the hurdy-gurdy, a medieval instrument that brings a unique, haunting quality to each track.

Eduardo Paniagua, a renowned figure in the realm of ancient and traditional music, presents a collection of 14 tracks that blend medieval and Sufi influences, creating a rich tapestry of sounds that transport the listener to another time. The album opens with "Rivales en Amores" and closes with "El Tahur," each track telling a story through the expressive power of the viola de rueda.

From the evocative "Santa María de Lugo" to the fiery "Fuego en el Rostro," and the haunting "Clérigo Ciego," each piece showcases Paniagua's deep understanding and respect for the musical traditions he draws from. The album also includes a unique interpretation of "El Ave Maria," adding a spiritual dimension to the collection.

"Cantigas de Viola de Rueda" is not just an album; it's an exploration of sound and history, a testament to Eduardo Paniagua's artistry and his dedication to preserving and revitalizing ancient musical traditions. Whether you're a fan of medieval music or simply appreciate beautiful, evocative melodies, this album is sure to captivate and inspire.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.