Canto Visigótico-Mozárabe. Santiago y Ll Antigua Liturgia Hispana

Immerse yourself in the ancient sounds of the Iberian Peninsula with Eduardo Paniagua's captivating album, "Canto Visigótico-Mozárabe. Santiago y Ll Antigua Liturgia Hispana." Released on March 14, 2011, under the Pneuma label, this album is a profound exploration of medieval, Sufi, and traditional music, spanning a rich duration of 1 hour and 2 minutes.

Eduardo Paniagua, a renowned figure in the world of early music, meticulously curates a collection of sacred chants and liturgical pieces that date back to the Visigothic and Mozarabic periods. The album features a diverse array of tracks, including "Pacem Meam," "Ad Pacem," and "Liber Omnium Offerentium," each offering a unique glimpse into the spiritual and musical heritage of the region.

The album's tracklist is a testament to Paniagua's scholarly approach, drawing from ancient manuscripts and historical sources such as the "Antifonario Mozárabe de la Catedral de León" and the "Breviario de San Rosendo de Celanova." This meticulous attention to detail ensures an authentic and immersive listening experience.

"Canto Visigótico-Mozárabe. Santiago y Ll Antigua Liturgia Hispana" is not just an album; it's a journey through time, offering a rare opportunity to connect with the sacred music of a bygone era. Eduardo Paniagua's masterful interpretation and the ensemble's exquisite performances bring these ancient chants to life, making this album a treasure trove for lovers of medieval and traditional music.

Eduardo Paniagua, born in Madrid in 1952, is a versatile artist who seamlessly blends his passions for architecture and music. As a musician, he is renowned for his expertise in medieval Spanish music, with a discography that spans decades and includes notable works like "Cantigas de Loor" and "The Dove's Necklace." Paniagua's musical journey began in 1966 when he joined the group Atrium Musicae de Madrid, led by his older brother Gregorio, where he honed his skills on wind instruments and percussion. Beyond his medieval music roots, Paniagua also explores Sufi and traditional music genres, directing ensembles such as Música Antigua and Ibn Báya, which specialize in Arab-Andalusian music. His performances and recordings offer a rich tapestry of historical and cultural sounds, making him a captivating figure in the world of early and traditional music.