Dive into the rich tapestry of Venetian Baroque opera with "Heroines of the Venetian Baroque" by Francesco Cavalli. This exquisite collection, released on September 18, 2015, under the Ricercar label, offers a captivating journey through some of Cavalli's most enchanting arias and ensembles, showcasing the brilliance of his operatic compositions. Cavalli, a prolific composer of the Baroque era, created over 30 operas for Venetian theaters, many of which have left an indelible mark on the world of classical music.
Spanning a duration of 1 hour and 49 minutes, this double-disc album features a stunning array of vocal performances, each track meticulously selected to highlight the dramatic and musical genius of Cavalli. From the hauntingly beautiful "Lamento" from "Giasone" to the powerful arias like "Quest'è un gran caso al certo" from "Hipermestra," the album is a testament to Cavalli's ability to craft compelling narratives through music.
The album includes a diverse range of pieces from various operas, such as "Didone," "La Calisto," and "Ercole amante," each offering a unique glimpse into the world of 17th-century Venetian opera. The choral arrangements are particularly noteworthy, showcasing the intricate harmonies and expressive depth that define Cavalli's style. Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, "Heroines of the Venetian Baroque" promises an enriching and enjoyable listening experience.
2015 Outhere2014 Outhere
Tracks
Le nozze di Teti e di Peleo, Atto II Scena 11: Mira questi duo lumiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
Le nozze di Teti e di Peleo, Atto II Scena 6: Sinfonia di viole a 5Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis
Le nozze di Teti e di Peleo, Atto I Scena 3: Hor con pania e con escaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Anna Reinhold
Gli amori di Apollo e di Dafne, Atto I Scena 8: Volgli, deh volgi il piedeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Thomas Dunford, François Joubert-Caillet
Didone, Atto II Scena 2: Didone, ohimè, non mi riceve amanteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Anna Reinhold
Didone, Atto II Scena 2: Re de' Getuli alteroFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
La virtù dei strali d'Amore, Atto I Scena 3: Occhi per pianger natiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, Thomas Dunford, François Joubert-Caillet
Egisto, Atto III Scena 10: Amanti, se credeteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores
L'Ormindo, Atto I Scena 3: Aprite, aprite gl'occhiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, François Joubert-Caillet, Mariana Flores
La Doriclea, Atto I Scena 6: Udite amantiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores
Giasone, Atto I Scena 15: Dell'antro magicoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Anna Reinhold
Giasone, Atto II Scena 1: Lamento "Lassa, che far degg'io"Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, François Joubert-Caillet, Mariana Flores
Orimonte, Atto III Scena 12: Caro Ernesto / Mia Cleanta - Instrumental VersionFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Thomas Dunford
Oristeo, Atto I Scena 4: Dimmi amor, che farò?Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, François Joubert-Caillet
La Rosinda, Atto I Scena 7: Non col ramo di CumaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
La Calisto, Atto III Scena 1: Restino imbalsamateFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Mariana Flores
La Calisto, Atto III Scena 1: T'aspetto, e tu non vieniFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, François Joubert-Caillet, Mariana Flores
L'Eritrea, Prólogo: Ne le grotte arimaspeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores, François Joubert-Caillet
La Veremonda, Atto III Scena 6: Tardano molto? - Qui si fa il ballo de' toriFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores, Anna Reinhold
La Veremonda, Atto III Scena 6: Che rumori, che voci - Qui se replica il ballo de' toriFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores, Anna Reinhold
Il Ciro, Atto III, Scena ultima: Mia vita - Moi beneFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet
Xerse, Atto II Scena 18: Ed è pur vero, o coreFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
Xerse, Atto II Scena 18: Luci mie che mirasteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Mariana Flores
Erismena, Atto I Scena 4: Speranze voi che sieteFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
Erismena, Atto I Scena 5: O stelle, a che mi sforzateFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores
Erismena, Atto I Scena 5: A me il velenoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
La Statira, Atto II Scena 9: Menfi, mi patria, regnoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Clematis, Mariana Flores
Artemisia, Atto II Scena 6: Regina, udiste maiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Mariana Flores, Anna Reinhold
Hipermestra, Atto III Scena 14: Quest'è un gran caso al certoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Quito Gato, François Joubert-Caillet, Mariana Flores
Elena, Atto II Scena 14: Amazone non sonFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Anna Reinhold, Mariana Flores
Ercole amante, Atto IV Scena 7: Una stila di spemeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis
Ercole amante, Atto I Scena 3: E vuol dunque CiprignaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores
Ercole amante, Atto I Scena 3: Ma in amor ciò ch'altri furaFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Mariana Flores
Scipione affricano, Atto III Scena 3: A tuo dispetto amorFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford
Mutio Scevola, Atto I Scena 7: Né fastosa allor che ride - Né dolente allor che fremeFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, François Joubert-Caillet, Mariana Flores, Anna Reinhold
Pompeo Magno, Atto I Scena 17: Come al mar corrono i fiumiFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
Eliogabalo, Atto III Scena 2: Giuliano al tuo ferroFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores
Eliogabalo, Atto III Scena 15: Pur ti stringo, pur t'annodoFrancesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Thomas Dunford, Sarah Van Oudenhove, Mariana Flores, Anna Reinhold, Marine Chaboud, Igor Tchernov
Francesco Cavalli, born in 1602 in the Venetian city of Crema, was a pivotal figure in the early Baroque period, renowned for his prolific and influential work in opera. As a pupil of the legendary Claudio Monteverdi, Cavalli succeeded his mentor as the leading opera composer of the mid-17th century. His career flourished in Venice, where he composed over thirty operas, many of which premiered in the city's pioneering theatres. Cavalli's most celebrated works include 'Ormindo' (1644), 'Giasone' (1649), and 'La Calisto' (1651), which continue to captivate audiences with their rich musical tapestry and dramatic depth. Beyond his operatic achievements, Cavalli's compositions span a broad range of genres, from sacred to secular music, reflecting his versatility and enduring impact on the Baroque era.