"Cello Rock," released on June 21, 2019, by Matt Haimovitz, is a genre-bending exploration of rock classics reimagined for the cello. This ambitious project, released under the Pentatone label, spans a diverse range of styles, from the sensuous intensity of Radiohead's "Pyramid Song" to the lush tones of John McLaughlin's "Open Country Joy," and the vigorous exclamation of Pussy Riot's "Punk Prayer." Haimovitz, known for his innovative approach to the cello, collaborates with esteemed musicians such as Christopher O'Riley, Socalled, DJ Olive, and his ensemble, Uccello, to deliver a fresh and exhilarating take on these iconic tracks.
The album features 21 tracks, each meticulously arranged for cello ensemble, cello and piano, or electric guitar and cello ensemble. Highlights include all-cello arrangements of Led Zeppelin's "Kashmir" and Jimi Hendrix's "Machine Gun," as well as Haimovitz's own take on Hendrix's "The Star-Spangled Banner." The album also includes lesser-known gems like Blonde Redhead's "Empty Room" and Cocteau Twins' "Athol Brose," showcasing Haimovitz's versatility and deep musicality.
Born in Bat Yam, Israel, and raised in California, Matt Haimovitz began his cello journey at the age of seven, studying with renowned teachers Irene Sharp and Gabor Rejto. His unique approach to the cello has made him a standout in the classical music world, and "Cello Rock" is a testament to his ability to bridge the gap between classical and rock genres. The album's duration of 1 hour and 48 minutes ensures a rich and immersive listening experience, making it a standout addition to any music collection.
Matt Haimovitz, a multi-Grammy-nominated cellist, is celebrated for his extraordinary artistry and innovative spirit, redefining the boundaries of classical music performance. Born in Bat Yam, Israel, and raised in the United States from the age of five, Haimovitz has captivated audiences worldwide with his "megawatt sound" and "uncommon expressive gifts," as praised by The New York Times. His repertoire spans a vast array of styles, and he is renowned for championing new music and initiating groundbreaking collaborations. Haimovitz performs on a Matteo Goffriller cello from 1710, delivering a rich, full tone that has earned him acclaim in concert halls, clubs, and festivals alike. Beyond his performing career, Haimovitz is a dedicated mentor, leading an award-winning studio of young cellists at McGill University’s Schulich School of Music in Montreal. His recent projects, such as The Primavera Project, showcase his commitment to pushing the boundaries of his instrument and inspiring both classical music lovers and new listeners alike.
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