Immerse yourself in the enchanting world of Renaissance polyphony with Pierre Certon's "Chansons," a captivating collection of 16th-century French chansons and a complete Mass, released in 1980 by Harmonia Mundi. This album showcases the exquisite craftsmanship of Pierre Certon, a prominent figure in the Parisian music scene of the time, offering a glimpse into the rich musical traditions of the era.
The album opens with a series of secular chansons, each a testament to Certon's mastery of polyphonic writing. From the tender "Je l'ay aimé" to the lively "Martin s'en alla au Lendit," these pieces display a remarkable range of emotions and musical styles. The chansons are followed by the five movements of Certon's "Messe 'Sus le pont d'Avignon'," a stunning example of Renaissance sacred music that blends intricate polyphony with captivating melodies.
With a total duration of 49 minutes, this album is a treasure trove of Renaissance music, performed with authenticity and passion. Whether you're a seasoned enthusiast of early music or a newcomer eager to explore the wonders of the Renaissance, "Certon: Chansons" is an essential addition to your music library. Let the timeless beauty of Certon's music transport you to a bygone era, where the art of polyphony reigned supreme.
Pierre Certon, a renowned French composer of the Renaissance period, is celebrated for his enchanting vocal works that have captivated audiences for centuries. Born around 1515 and passing away in 1572, Certon's compositions are a testament to the rich musical heritage of his time. His repertoire includes a variety of pieces, from the deeply spiritual "Ave Maria" to the lively and engaging "Fa La La, I Cannot Conceal It." Certon's works, often performed in SATB (Soprano, Alto, Tenor, Bass) arrangements, showcase his mastery of polyphony and his ability to evoke a wide range of emotions. Whether you're a seasoned choral enthusiast or a newcomer to Renaissance music, Pierre Certon's compositions offer a timeless journey through the sounds and sentiments of the 16th century.
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