Immerse yourself in the sacred narratives of Marc-Antoine Charpentier with this exquisite collection of his "Histoires sacrées." Released in 2019, this album showcases the unique genius of Charpentier, who stands alone among the composers of the Grand Siècle for his profound contributions to the genre of sacred history. Spanning over two hours, this meticulously curated selection of Charpentier's works offers a deep dive into the rich tapestry of his musical storytelling.
The album features a diverse array of compositions, each telling the stories of exemplary figures from biblical and historical contexts. From the tales of Judith and Holofernes to the martyrdom of Saint Cecilia, Charpentier's music brings these narratives to life with a depth and richness that is both captivating and spiritually uplifting. The intricate vocal arrangements and orchestral accompaniments highlight Charpentier's mastery of the Baroque style, making this album a treasure trove for enthusiasts of early music.
Highlights include the dramatic "Cæcilia, virgo et martyr," a multi-part work that weaves together the voices of various characters to tell the story of Saint Cecilia's martyrdom. The "Motet pour les trépassés" offers a poignant reflection on mortality, while the "Dialogus inter Magdalenam et Jesum" provides a tender and intimate dialogue between Mary Magdalene and Jesus. Each piece is performed with precision and passion, bringing Charpentier's vision to life in a way that is both authentic and engaging.
This album is a testament to Charpentier's enduring legacy and his ability to blend sacred themes with musical innovation. Whether you are a seasoned fan of Baroque music or a newcomer to the genre, "Charpentier: Histoires sacrées" offers a rich and rewarding listening experience that will leave you enchanted by the beauty and depth of Charpentier's compositions.
2019 harmonia mundi2019 harmonia mundi
Tracks
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)Marc-Antoine Charpentier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium)Marc-Antoine Charpentier, Etienne Bazola, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius)Marc-Antoine Charpentier, Davy Cornillot, Judith Fa, Etienne Bazola, Stephen Collardelle, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: O Christi fidem profitentium (Tutti)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: PræludiumMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia)Marc-Antoine Charpentier, Davy Cornillot, Nicolas Brooymans, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Ecce, ecce mihi Jesu (Cæcilia)Marc-Antoine Charpentier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Heu, heu, nos dolentes (Chorus fidelium, Angeli)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cur ploratis fideles (Angeli, Chorus fidelium)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Caroline Arnaud, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Prélude - Miseremini meiMarc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Lucile Richardot, Stephen Collardelle, Davy Cornillot, Constantin Goubet, Renaud Brès, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Heu, mihi DomineMarc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Stephen Collardelle, Davy Cornillot, Renaud Brès, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Ritournelle - Ah, ah pœnis cruciorMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Dialogus inter Magdalenam et Jesum, H. 423: Hei, hei mihi infelix MagdalenaMarc-Antoine Charpentier, Lucile Richardot, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Stabat Holofernes super montes (Chorus Assyriorum)Marc-Antoine Charpentier, Caroline Arnaud, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé, Stephen Collardelle, Etienne Bazola
Judith, sive Bethulia liberata, H. 391, Première partie: Filii Israel (Tres duces Assyrii)Marc-Antoine Charpentier, Stephen Collardelle, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel)Marc-Antoine Charpentier, Nicolas Brooymans, Lucile Richardot, Davy Cornillot, René Ramos-Premier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Peccavimus, Domine (Filii Israel)Marc-Antoine Charpentier, Judith Fa, Lucile Richardot, Davy Cornillot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Et, cum his clamoribus (Historicus ex filiis Israel, Ozias)Marc-Antoine Charpentier, Judith Fa, Lucile Richardot, René Ramos-Premier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Quod cum audisset (Historici ex filiis Israel)Marc-Antoine Charpentier, Lucile Richardot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé, Davy Cornillot
Judith, sive Bethulia liberata, H. 391, Première partie: Quod est hoc verbum (Judith)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules)Marc-Antoine Charpentier, Davy Cornillot, Caroline Weynants, Lucile Richardot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Nocte autem sequetem (Historicus ex Israel, Judith)Marc-Antoine Charpentier, Lucile Richardot, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Post hæc Judith deposuit (Historicus ex Israel)Marc-Antoine Charpentier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: La nuictMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum)Marc-Antoine Charpentier, Violaine Le Chenadec, Stephen Collardelle, Etienne Bazola, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Æquo animo esto (Holofernes, Judith)Marc-Antoine Charpentier, Renaud Brès, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et ingressa Judith (Historici ex Assyriis)Marc-Antoine Charpentier, Stephen Collardelle, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Ut autem sero factum est (Ancilla)Marc-Antoine Charpentier, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Aperite portas, custodes fideles (Judith)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et cum audissent filii Israel (Chorus filiorum Israel)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Laudate Dominum Deum nostrum (Judith, Chœur)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403: Rumor bellicusMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Cum essent congregata (Chorus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: O mulier, suscita mihi (Saül, Maga)Marc-Antoine Charpentier, Etienne Bazola, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Première symphonie [de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde] symphonie de l'enchantement - Ecquid ad surdos (Maga)Marc-Antoine Charpentier, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Cumque Samuel volente Deo (Duo ex choro)Marc-Antoine Charpentier, Violaine Le Chenadec, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Surge Saül et responde mihi ! (Samuel, Saül)Marc-Antoine Charpentier, Nicolas Brooymans, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cecidit repente Saül (Chorus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Tolle, quæso, tolle (Saül, Miles)Marc-Antoine Charpentier, Etienne Bazola, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Age cito (Saül, chorus)Marc-Antoine Charpentier, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cumque miles invitus (Tres ex choro)Marc-Antoine Charpentier, Lucile Richardot, Caroline Dangin-Bardot, Constantin Goubet, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Quisnam es tu ? (David, Miles)Marc-Antoine Charpentier, Davy Cornillot, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: O sors ! (Chorus sans violons)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Sed tu, unde scis quod Saül (David, Miles)Marc-Antoine Charpentier, Davy Cornillot, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Doleo super te (David)Marc-Antoine Charpentier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: David autem conversus (Duo ex choro, David)Marc-Antoine Charpentier, Violaine Le Chenadec, Caroline Dangin-Bardot, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Montes Gelboe (Chorus ultimus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Prelude pour Mementote peccatores, H. 425aMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Dialogus inter Christum et peccatores, H. 425: Mementote peccatores (Christus)Marc-Antoine Charpentier, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.
One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.
Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.