charpentier: la couronne de fleurs - la descente d'orphée aux enfers - marc-antoine charpentier
Charpentier: La couronne de fleurs - La descente d'Orphée aux enfers
Marc-Antoine Charpentier
2014
41 tracks
1 uur, 19 min
Album Description
Immerse yourself in the rich, intricate world of Baroque opera with Marc-Antoine Charpentier's captivating works, "La couronne de fleurs" and "La descente d'Orphée aux enfers." This album, released on April 1, 2014, by CPO, offers a stunning collection of 41 tracks that showcase Charpentier's mastery of the genre. With a runtime of approximately 1 hour and 19 minutes, the album is a testament to the composer's ability to blend complexity and entertainment seamlessly.
"La couronne de fleurs," composed by Charpentier, is a delightful pastoral opera that tells the story of the nymph Flore and her interactions with shepherds and other mythological figures. The opera is filled with lively arias, duets, and choruses that bring the story to life. The overture, in particular, is a standout piece that sets the tone for the entire opera.
"La descente d'Orphée aux enfers," on the other hand, is a more dramatic and intense opera that tells the story of Orpheus' descent into the underworld to retrieve his beloved Eurydice. The opera is filled with powerful arias, recitatives, and choruses that convey the emotional depth and complexity of the story. The overture to this opera is equally impressive, with its dramatic and intense musical themes.
The album features a stellar cast of performers, including Aaron Sheehan, Paul O'Dette, and Stephen Stubbs, who bring their exceptional talents to these Baroque masterpieces. The recording, which took place in Bremen in July 2013, captures the performances in stunning detail, allowing the listener to fully appreciate the intricacies of Charpentier's compositions.
Whether you are a seasoned fan of Baroque opera or a newcomer to the genre, this album is sure to captivate and enthrall. With its rich musical tapestry and compelling storytelling, "La couronne de fleurs" and "La descente d'Orphée aux enfers" are essential additions to any classical music collection.
2014 CPO2014 CPO
Tracks
La couronne de fleurs, H. 486: OvertureMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 1: Renaissez, paraissez (Flore)Marc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 1: Marche des BergersMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Puisque Flore en ces lieux nous convie (Roselie, Bergeres)Marc-Antoine Charpentier, Amanda Forsythe, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Trio. Trop indiscrets Zephirs - Et vous, fontaines et ruisseaux (Sylvandre) [Un Berger]Marc-Antoine Charpentier, Douglas Williams, Jesse Blumberg, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Prélude pour animer les bergers au combatMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Recitative. Lorsqu'un torrent enfle par un soudain orage (Amaranthe, All)Marc-Antoine Charpentier, Dorothee Mields, Teresa Wakim, Jesse Blumberg, Amanda Forsythe, Mireille Lebel, Jason McStoots, Zachary Wilder, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Recitative. La foudre menaçant qui perce avec fureur (Forestan, All)Marc-Antoine Charpentier, Jason McStoots, Teresa Wakim, Jesse Blumberg, Amanda Forsythe, Dorothee Mields, Mireille Lebel, Zachary Wilder, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: MenuetMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Recitative. Des héros fabuleux que la Grèce a chantes (Hyacinthe, All)Marc-Antoine Charpentier, Mireille Lebel, Teresa Wakim, Jesse Blumberg, Amanda Forsythe, Dorothee Mields, Jason McStoots, Zachary Wilder, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 2: Recitative. Louis fait a nos temps, par ses faits inouis (Mirtil, All)Marc-Antoine Charpentier, Zachary Wilder, Teresa Wakim, Jesse Blumberg, Amanda Forsythe, Dorothee Mields, Mireille Lebel, Jason McStoots, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 3: Quittez, quittez Bergers, ce dessein temeraire (Pan, All)Marc-Antoine Charpentier, Jesse Blumberg, Teresa Wakim, Amanda Forsythe, Dorothee Mields, Mireille Lebel, Jason McStoots, Zachary Wilder, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 3: Nous nous taisons. Pan nous l'ordonne (Roselie)Marc-Antoine Charpentier, Amanda Forsythe, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 3: Bien que, pour etaler les Vertus immortelles (Flore, Pan)Marc-Antoine Charpentier, Teresa Wakim, Jesse Blumberg, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 3: Ballet. Bergers et BergeresMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La couronne de fleurs, H. 486, Scene 3: Belles fleurs, tous les ans (Roselie, Amaranthe, All)Marc-Antoine Charpentier, Amanda Forsythe, Dorothee Mields, Teresa Wakim, Jesse Blumberg, Mireille Lebel, Jason McStoots, Zachary Wilder, Douglas Williams, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488: OvertureMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Inventons mille jeux divers (Daphnee, Chorus)Marc-Antoine Charpentier, Teresa Wakim, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Ruisseau qui dans ce beau sejour (Enone, Arethuze)Marc-Antoine Charpentier, Dorothee Mields, Teresa Wakim, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Compagnes fideles (Euridice)Marc-Antoine Charpentier, Amanda Forsythe, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Qu'il se croira fortune – Recitative. L'on ne goûte point de plaisirs sans douleurs (Daphne, Euridice, Chorus) [Enone]Marc-Antoine Charpentier, Teresa Wakim, Amanda Forsythe, Dorothee Mields, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 1: Recitative. Soutiens-moi, chère Enone - Orphée, adieu, je meurs (Euridice, Orphée, Chorus) [Euridice]Marc-Antoine Charpentier, Amanda Forsythe, Aaron Sheehan, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Ah! Bergers, c'en est fait (Orphée, Chorus)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Entrée de nymphes et de bergers desespèresMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 2: Recitative. Lache amant, pourrais-tu survivre (Orphée)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Ne tourne point, mon fils (Apollon, Orphée)Marc-Antoine Charpentier, Jesse Blumberg, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act I Scene 3: Recitative. Que d'un frivole espoir - Juste sujet de pleurs (Orphée) [Chorus]Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 1: Affreux tourments (Ixion, Tantale, Titye)Marc-Antoine Charpentier, Jason McStoots, Zachary Wilder, Jesse Blumberg, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Cessez, cessez, fameux coupables (Orphée)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Quelle touchante voix, quelle douce harmonie (Ixion, Tantale, Titye)Marc-Antoine Charpentier, Jason McStoots, Zachary Wilder, Jesse Blumberg, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Je ne refuse point le secours - Il n'est rien aux Enfers (Orphée) [Chorus]Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 2: Les fantomesMarc-Antoine Charpentier, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Prelude - Recitative. Que cherche en mon palais (Pluton)Marc-Antoine Charpentier, Douglas Williams, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Je ne viens point ici - Pauvre amant (Orphée) [Proserpine, Chorus]Marc-Antoine Charpentier, Aaron Sheehan, Dorothee Mields, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Euridice n'est plus (Orphée)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Le destin est contraire - Permets qu'elle revive (Pluton, Proserpine) [Ombres Heureuses]Marc-Antoine Charpentier, Douglas Williams, Dorothee Mields, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Tu ne la perdras point, hélàs (Orphée)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Quel charme imperieux - Courage Orphée (Pluton, Proserpine) [Chorus]Marc-Antoine Charpentier, Douglas Williams, Dorothee Mields, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Souviens-toi du larcin (Orphée)Marc-Antoine Charpentier, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 3: Recitative. Je cede, je me rends - Recitative. Amour, brulant Amour (Pluton) [Orphée]Marc-Antoine Charpentier, Douglas Williams, Aaron Sheehan, Boston Early Music Festival Orchesra, Paul O'Dette
La descente d'Orphée aux enfers, H. 488, Act II Scene 4: Vous partez donc, Orphée - Entrée des Fantomes (Chorus, Ixion, Tantale, Titye)Marc-Antoine Charpentier, Jason McStoots, Zachary Wilder, Jesse Blumberg, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette
Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.
One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.
Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.