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- charpentier: leçons de ténèbres - marc-antoine charpentier
Charpentier: Leçons de ténèbres
- 2012
- 14 tracks
- 1 uur, 5 min
Album Description
Immerse yourself in the profound and spiritual world of Marc-Antoine Charpentier's sacred music with this exquisite collection, "Leçons de ténèbres." Released in 2012 by Alpha Classics, this album showcases the masterful compositions of Charpentier, a pivotal figure in the French Baroque era. The album features a rich tapestry of instrumental and vocal works, including the hauntingly beautiful "Leçons de Ténèbres" for solo bass, which are settings of the Lamentations of Jeremiah, traditionally performed during the Holy Week. These pieces, along with various offertories, anthems, and symphonies, highlight Charpentier's ability to evoke deep devotion and contemplation.
The album spans a duration of one hour and five minutes, offering a comprehensive exploration of Charpentier's liturgical music. Performed by the talented ensemble Arte dei Suonatori, under the direction of Alexis Kossenko, and featuring the renowned countertenor Stephan MacLeod, this recording brings to life the intricate textures and expressive nuances of Charpentier's compositions. Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, this album provides a captivating journey through the sacred music of one of France's most celebrated composers.
Tracks
- Offerte pour l'orgue et pour les violons flûtes et hautbois, H. 514Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Antiene pour les violons flûtes et hautbois à 4 parties, H. 532Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Symphonie en G Ré Sol Bémol à 3 flûtes ou 3 violons, H. 529Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Ouverture pour le sacre d'un Evesque pour les violons flûtes et hautbois, H. 536Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Après Confitebor, Antienne en D La Ré Sol Bsquarre, H. 516Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Pour plusieurs martyrs, motet a voix seule sans accompagnement, H. 361Marc-Antoine Charpentier, Stephan MacLeod, Arte dei Suonatori, Alexis Kossenko
- Pour un reposoir, ouverture dez que la procession paroist, H. 523Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Ouverture pour le sacre d'un Evesque pour les violons flûtes et hautbois, H. 537Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Offerte non encor exécutée, H. 522Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Ouverture pour l'Eglise, H. 524Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Antienne, H. 526Marc-Antoine Charpentier, Arte dei Suonatori, Alexis Kossenko
- Pre leçon de ténèbres du Mercredy Saint pour une basse, H. 120Marc-Antoine Charpentier, Stephan MacLeod, Arte dei Suonatori, Alexis Kossenko
- Pre leçon de ténèbres du Jeudy Saint pour une basse, H. 121Marc-Antoine Charpentier, Stephan MacLeod, Arte dei Suonatori, Alexis Kossenko
- Première leçon de ténèbres du Vendredy Saint pour une basse, H. 122Marc-Antoine Charpentier, Stephan MacLeod, Arte dei Suonatori, Alexis Kossenko
About Marc-Antoine Charpentier
Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.
One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.
Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.
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