charpentier: messe a 8 voix et 8 violons et flutes / miseremini mei - marc-antoine charpentier
Charpentier: Messe A 8 Voix Et 8 Violons Et Flutes / Miseremini Mei
Marc-Antoine Charpentier
2014
29 tracks
1 uur, 12 min
Album Description
Immerse yourself in the rich tapestry of Baroque music with Marc-Antoine Charpentier's "Messe A 8 Voix Et 8 Violons Et Flutes / Miseremini Mei." This exquisite album, released on July 15, 2014, under the Hungaroton label, offers a captivating journey through the masterful compositions of one of the era's most prolific and talented composers.
The album features a stunning array of sacred works, including the monumental "Messe à 8 voix et 8 violons et flûtes," a grand and intricate setting of the Mass Ordinary. This piece showcases Charpentier's prowess in vocal and instrumental writing, with its lush harmonies and dynamic interplay between voices and instruments. The album also includes the "Motet pour les trépassés à 8," a poignant and reflective work dedicated to the deceased, highlighting Charpentier's ability to convey deep emotion and spirituality through his music.
With a duration of 1 hour and 12 minutes, this album is a treasure trove for enthusiasts of Baroque music, offering a comprehensive exploration of Charpentier's sacred repertoire. The performances are meticulously crafted, bringing out the nuances and intricacies of Charpentier's compositions, making it an essential addition to any classical music collection. Whether you are a seasoned fan of Baroque music or a newcomer to the genre, this album promises an enriching and enjoyable listening experience.
2014 Hungaroton2014 Hungaroton
Tracks
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Kyrie eleison - La Malade imaginaire, H. 495Marc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Christe eleisonMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Kyrie. Kyrie eleison - Le Malade imaginaire, H. 495Marc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Gloria in excelsis DeoMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Et in terra paxMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Domine DeusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Qui tollis peccata mundiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Gloria. Quoniam tu solus SanctusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Patrem omnipotentemMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. CrucifixusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Et resurrexitMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Cujus regni non erit finisMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Credo. Et in Spiritum SanctumMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Offertory. Le Malade imaginaire, H. 495Marc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Premier SanctusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Second SanctusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Troisieme SanctusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Sanctus: Pleni sunt coeliMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Elevation: O Salutaris hostia, H. 236Marc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Elevation: BenedictusMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Premier Agnus DeiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Second Agnus DeiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Troisieme Agnus DeiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Messe a 8 voix et 8 violons et flutes, H. 3: Agnus Dei: Domine Salvum fac regem, H. 282Marc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Mate Solyom-Nagy, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Prelude pour MisereminiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Miseremini meiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Heu mihi DomineMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Ah poenis cruciorMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Motet pour les trépassés à 8, H. 311, "Miseremini mei": Miseremini meiMarc-Antoine Charpentier, Mária Zádori, Gabriella Jani, Péter Bárány, Zoltan Gavodi, Rezso Kutik, Andras Regenhart, Istvan Kovacs, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi
Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.
One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.
Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.