Charpentier: Messe Des Morts / Psalmus Davidis / Salve Regina

Immerse yourself in the sacred and evocative world of Marc-Antoine Charpentier with this captivating collection of his most profound choral works. Released on July 15, 2014, this album presents a meticulously curated selection of Charpentier's compositions, showcasing his mastery of the French Baroque style.

The album opens with the hauntingly beautiful "Velum templi," a responsory for Holy Thursday, followed by the monumental "Messe des morts à 4 voix et symphonie, H. 10," a powerful setting of the Mass for the Dead. This piece alone is a testament to Charpentier's genius, with its dramatic orchestration and deeply expressive choral writing.

The album also features the enchanting "In nativitatem Domini canticum, H. 416," a Christmas canticle that highlights Charpentier's ability to blend sacred text with exquisite melody. The collection is rounded out with the penitential "Psalm 87, H. 207" and the devotional "Salve Regina a 3 choeurs, H. 24," both of which demonstrate Charpentier's skill in setting Latin text to music.

This album is a treasure trove for fans of Baroque choral music, offering a rich and varied exploration of Charpentier's sacred output. With a duration of approximately one hour, it provides a comprehensive introduction to the composer's style and his enduring influence on the world of classical music. Recorded by the esteemed label Hungaroton, this album promises a high-quality listening experience that will delight and inspire.

Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.

One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.

Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.