charpentier: te deum, h. 146 & magnificat, h. 74 - marc-antoine charpentier
Charpentier: Te Deum, H. 146 & Magnificat, H. 74
Marc-Antoine Charpentier
2024
21 tracks
40 min
Album Description
Immerse yourself in the resplendent world of French Baroque music with Marc-Antoine Charpentier's "Te Deum, H. 146 & Magnificat, H. 74." This exquisite album, released on February 9, 2024, by Warner Classics, showcases two of Charpentier's most celebrated sacred works, performed with unparalleled virtuosity and depth.
Marc-Antoine Charpentier, a contemporary of Jean-Baptiste Lully, was a prolific composer during the reign of Louis XIV. His "Te Deum, H. 146" is renowned for its majestic prelude, which has become iconic in European culture. Composed between 1688 and 1698, this grand motet for soloists, choir, and instrumental accompaniment is a testament to Charpentier's mastery of the Baroque style. The "Magnificat, H. 74," another gem in this collection, is a motet for eight voices, chorus, instruments, and continuo, highlighting Charpentier's ability to blend intricate vocal lines with rich orchestration.
The album features a meticulous arrangement of Charpentier's compositions, capturing the essence of his unique style and the grandeur of the Baroque era. With a duration of 40 minutes, this recording offers a concise yet comprehensive exploration of Charpentier's sacred music, making it an essential addition to any classical music enthusiast's collection. Whether you are a seasoned fan of Baroque music or a newcomer to the genre, this album promises an enriching and captivating listening experience.
Charpentier: Te Deum, H. 146: I. PréludeMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields
Charpentier: Te Deum, H. 146: II. Te Deum laudamusMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Kurt Moll
Charpentier: Te Deum, H. 146: III. Te aeternum PatremMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, Ethna Robinson, Kurt Moll
Charpentier: Te Deum, H. 146: IV. Pleni sunt coeli e terraMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, John Aler, Kurt Moll
Charpentier: Te Deum, H. 146: V. Te per orbem terrarumMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll
Charpentier: Te Deum, H. 146: VI. Tu devicto mortis aculeoMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus
Charpentier: Te Deum, H. 146: VII. Judex crederisMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Kurt Moll
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumusMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll
Charpentier: Te Deum, H. 146: IX. Aeterna fac cum sanctisMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, John Aler, Kurt Moll
Charpentier: Te Deum, H. 146: X. Dignare DomineMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll
Charpentier: Te Deum, H. 146: XI. Fiat misericordiaMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll
Charpentier: Te Deum, H. 146: XII. In Te Domine speraviMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, John Aler, Kurt Moll
Charpentier: Magnificat, H. 74: I. SinfoniaMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields
Charpentier: Magnificat, H. 74: II. Magnificat anima meaMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray
Charpentier: Magnificat, H. 74: III. Quia fecit mihi magnaMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw
Charpentier: Magnificat, H. 74: IV. Et misericordiaMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll
Charpentier: Magnificat, H. 74: V. Fecit potentiamMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus
Charpentier: Magnificat, H. 74: VI. EsurientesMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus
Charpentier: Magnificat, H. 74: VII. Suscepit IsraelMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw
Charpentier: Magnificat, H. 74: VIII. Sicus locutus esMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll
Charpentier: Magnificat, H. 74: IX. Gloria PatriMarc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Kurt Moll
Marc-Antoine Charpentier, born in or near Paris in 1643, stands as one of the most prolific and versatile composers of the French Baroque era. His musical journey took him to Rome, where he studied under the renowned Giacomo Carissimi, absorbing the rich Italian musical styles that would later blend seamlessly with his native French influences. Charpentier's compositions span a wide range of genres, including operas, oratorios, sacred music, and instrumental works, making him a true polymath of the Baroque period.
One of Charpentier's most enduring legacies is the iconic theme from the prelude of his Te Deum H.146, known as "Marche en rondeau." This stirring piece continues to resonate today, serving as the fanfare for television broadcasts of the Eurovision Network and the European Broadcasting Union. His collaboration with Molière on the comedy-ballet "Le Malade imaginaire" further cemented his reputation as a master of both sacred and secular music.
Charpentier's work is notable for its integration of Italian and French styles, creating a unique and captivating sound that has earned him recognition as one of the outstanding composers of his generation. His prolific output, which includes over 550 pieces of music, reflects his versatility and deep understanding of various musical forms. Whether composing for the stage, the chapel, or the court, Charpentier's music remains a testament to his enduring genius and influence on the Baroque era.
Vinylscout
Marc-Antoine Charpentier
