"Chicken Shit Bingo" is a captivating exploration of free jazz and avant-garde music, featuring the legendary Peter Brötzmann and the dynamic Paal Nilssen-Love. Recorded in August 2015 and released posthumously on January 26, 2024, this album is a testament to the enduring creativity and improvisational genius of Brötzmann, who passed away in 2023. The collaboration with Nilssen-Love, one of his favorite drummers, offers a unique perspective on Brötzmann's signature style, showcasing their chemistry and mutual respect.
The album spans eight tracks, each a testament to the duo's improvisational prowess and deep musical understanding. From the opening notes of "Butterfly Mushroom" to the introspective "Found the Cabin but No People," the album is a journey through the raw, unfiltered sounds of free jazz. Brötzmann's tarogato and baritone saxophone weave intricate melodies, while Nilssen-Love's percussive mastery provides a powerful backdrop. The tracks, all composed by Brötzmann and Nilssen-Love, are a blend of spontaneity and structure, reflecting the duo's ability to create cohesive music from improvisation.
"Chicken Shit Bingo" is not just another album in Peter Brötzmann's extensive discography; it is a significant addition that highlights his continued innovation and collaboration. The album's release on Trost Records, a label known for its commitment to avant-garde and experimental music, ensures that it reaches the right audience. Whether you're a longtime fan of Brötzmann or a newcomer to his work, "Chicken Shit Bingo" offers a rich and rewarding listening experience. The album's 40-minute duration is packed with energy and creativity, making it a standout release in the world of free jazz.
Peter Brötzmann, a titan of European free jazz, was a saxophonist and clarinetist whose powerful and uncompromising playing style left an indelible mark on the genre. Born in Remscheid, Germany, Brötzmann's journey into jazz began at the age of 13, inspired by a transformative concert by Sidney Bechet. Throughout his career, he released over fifty albums as a bandleader, collaborating with legendary figures such as Derek Bailey, Anthony Braxton, and Cecil Taylor, as well as experimental musicians like Keiji Haino and Charles Hayward. His 1968 album "Machine Gun" is hailed as a landmark of 20th-century free jazz, showcasing his radical and energetic approach to music. Brötzmann's playing was known for its intensity and raw emotional power, yet he could also deliver subtle and tender sounds, demonstrating his versatility and depth as an artist. His music was a reflection of his compassionate nature and deep connection to the natural world, breaking down barriers and exploring the beauty of life. Brötzmann's influence on free jazz is immeasurable, and his legacy continues to inspire musicians and enthusiasts alike.
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