"Choralis Constantinus 1508: Heinrich Isaac in Konstanz" is a captivating journey through the sacred choral works of Heinrich Isaac, a prominent composer of the Renaissance period and contemporary of Josquin des Prez. This album, released by Carus, presents a substantial collection of motets composed around 1508, originally intended for Emperor Maximilian I. The ensemble Cantissimo, under the direction of Markus Utz, delivers a stunning performance that showcases the intricate polyphony and spiritual depth of Isaac's compositions.
Spanning a duration of over an hour, this choral album features 18 tracks that span the liturgical year, from the Nativity to Pentecost. Each piece is meticulously crafted, reflecting Isaac's mastery of vocal writing and his ability to evoke profound spiritual experiences. The album begins with the joyous "Puer natus est nobis" and concludes with the solemn "Ecce sacerdos," offering a comprehensive exploration of Isaac's choral repertoire.
The album's packaging, a digipak, houses a single disc with a total playing time of 1 hour and 1 minute. The recording is a testament to the ensemble's commitment to historical performance practices, providing an authentic and immersive listening experience. Whether you are a seasoned enthusiast of Renaissance polyphony or a newcomer to the genre, this album offers a rich and rewarding exploration of Heinrich Isaac's musical legacy.
Heinrich Isaac, a towering figure of the Renaissance, was a Franco-Flemish composer whose music transcended borders and languages. Born around 1450 in the southern Netherlands, Isaac's compositions spanned masses, motets, songs in multiple languages, and instrumental works, reflecting his cosmopolitan career. He served notable patrons such as Lorenzo de' Medici in Florence and Emperor Maximilian I, leaving an indelible mark on the musical landscapes of Italy and Germany. Isaac's contemporaries, including the legendary Josquin des Prez, recognized his genius, and his influence echoed through generations, inspiring composers like Bach and Brahms. His prolific output and innovative use of parody masses, often incorporating unusual themes, cement his status as one of the most significant composers of his time. Isaac's music, with its conservative harmonic idiom and intricate imitative polyphony, offers a rich and rewarding journey through the sonic world of the High Renaissance.
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