- Albums
- classical voices: easter & lent - george frideric handel
Classical Voices: Easter & Lent
- 2025
- 61 tracks
- 3 uur, 1 min
- classical
Album Description
Immerse yourself in the sacred and stirring compositions of George Frideric Handel with "Classical Voices: Easter & Lent," a monumental collection that spans over three hours of exquisite choral and orchestral music. This album, set for release on April 4, 2025, under UME - Global Clearing House, is a comprehensive journey through Handel's masterful works, particularly his iconic "Messiah," HWV 56. The album features a full performance of Handel's "Messiah," a timeless oratorio that sets texts from the King James Bible to music, celebrating the Christian narrative from the prophecy of the Messiah's coming to his resurrection.
In addition to the complete "Messiah," this album also includes selections from Handel's "Mass in C Minor, K. 427," known as the "Great." This mass is one of Handel's most significant sacred works, showcasing his mastery of choral writing and orchestration. The combination of these works provides a rich tapestry of Handel's religious compositions, perfect for the Lenten and Easter seasons.
The album is a testament to Handel's enduring legacy in the world of classical music, offering a blend of dramatic arias, powerful choruses, and intricate instrumental pieces. Whether you are a seasoned classical music enthusiast or new to the genre, "Classical Voices: Easter & Lent" promises an enriching listening experience. The album's duration of over three hours ensures that you can fully immerse yourself in the beauty and depth of Handel's compositions, making it an essential addition to any classical music collection.
Tracks
- Messiah, HWV 56, Pt. 1: SinfoniaGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 1: Comfort Ye, My PeopleGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Bruce Fowler
- Messiah, HWV 56, Pt. 1: Every Valley Shall Be ExaltedGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Bruce Fowler
- Messiah, HWV 56, Pt. 1: And the Glory of the LordGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 1: Thus Saith the LordGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Victor Ledbetter
- Messiah, HWV 56, Pt. 1: But Who May AbideGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Catherine Robbin
- Messiah, HWV 56, Pt. 1: And He Shall PurifyGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 1: O Thou That Tellest Good Tidings to ZionGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Catherine Robbin
- Messiah, HWV 56, Pt. 1: For Behold, Darkness Shall Cover the EarthGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Victor Ledbetter
- Messiah, HWV 56, Pt. 1: The People That Walked in DarknessGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Victor Ledbetter
- Messiah, HWV 56, Pt. 1: For unto Us a Child Is BornGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony)George Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 1: There Were Shepherds - And Lo, the Angel of the Lord Came Upon ThemGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Karen Clift
- Messiah, HWV 56, Pt. 1: And the Angel Said unto ThemGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Karen Clift
- Messiah, HWV 56, Pt. 1: Glory to GodGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 1: Rejoice Greatly, O Daughter of ZionGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Karen Clift
- Messiah, HWV 56, Pt. 1: He Shall Feed His Flock Like a ShepherdGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Karen Clift, Catherine Robbin
- Messiah, HWV 56, Pt. 1: His Yoke Is EasyGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: Behold the Lamb of GodGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 2: He Was DespisedGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Catherine Robbin
- Messiah, HWV 56, Pt. 2: Surely He Hath Borne Our GriefsGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 2: And with His Stripes We Are HealedGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 2: All We Like SheepGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: All They That See HimGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Bruce Fowler
- Messiah, HWV 56, Pt. 2: He Trusted in GodGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 2: Thy Rebuke Hath Broken His HeartGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Bruce Fowler
- Messiah, HWV 56, Pt. 2: Behold, and See If There Be Any SorrowGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Bruce Fowler
- Messiah, HWV 56, Pt. 2: But Thou Didst Not Leave His Soul in HellGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Bruce Fowler
- Messiah, HWV 56, Pt. 2: Lift Up Your HeadsGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: Let All the Angels of God Worship HimGeorge Frideric Handel, Boston Baroque, Martin Pearlman
- Messiah, HWV 56, Pt. 2: Thou Art Gone Up on HighGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Catherine Robbin
- Messiah, HWV 56, Pt. 2: The Lord Gave the WordGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: How Beautiful Are the FeetGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Karen Clift
- Messiah, HWV 56 / Pt. 2: "Their Sound Is Gone Out"George Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: Why Do the Nations?George Frideric Handel, Martin Pearlman, Boston Baroque, Victor Ledbetter
- Messiah, HWV 56, Pt. 2: Let Us Break Their Bonds AsunderGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 2: Thou Shalt Break ThemGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Bruce Fowler
- Messiah, HWV 56, Pt. 2: HallelujahGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 3: I Know That My Redeemer LivethGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Karen Clift
- Messiah, HWV 56, Pt. 3: Since by Man Came DeathGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 3: Behold, I Tell You a MysteryGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Victor Ledbetter
- Messiah, HWV 56, Pt. 3: The Trumpet Shall SoundGeorge Frideric Handel, Martin Pearlman, Boston Baroque, Victor Ledbetter
- Messiah, HWV 56, Pt. 3: O Death, Where Is Thy Sting?George Frideric Handel, Martin Pearlman, Boston Baroque, Catherine Robbin, Bruce Fowler
- Messiah, HWV 56, Pt. 3: But Thanks Be to GodGeorge Frideric Handel, Martin Pearlman, Boston Baroque
- Messiah, HWV 56, Pt. 3: If God Be for UsGeorge Frideric Handel, Boston Baroque, Martin Pearlman, Karen Clift
- Messiah, HWV 56, Pt. 3: Worthy Is the Lamb... Amen.George Frideric Handel, Martin Pearlman, Boston Baroque
- Mass in C Minor, K. 427 "Great": I. KyrieWolfgang Amadeus Mozart, Atlanta Symphony Orchestra, Robert Shaw, Edith Wiens
- Mass in C Minor, K. 427 "Great": II. GloriaWolfgang Amadeus Mozart, Atlanta Symphony Orchestra, Robert Shaw
- Mass in C Minor, K. 427 "Great": III. CredoWolfgang Amadeus Mozart, Atlanta Symphony Orchestra, Robert Shaw
- Mass in C Minor, K. 427 "Great": IV. SanctusWolfgang Amadeus Mozart, Atlanta Symphony Orchestra, Robert Shaw
About George Frideric Handel
George Frideric Handel, born in 1685 in Halle, Germany, is one of the most celebrated composers of the Baroque era, renowned for his enduring influence on classical music. His prolific career spanned various genres, including operas, oratorios, anthems, and concerti grossi. Handel's compositions, such as the iconic 'Water Music' and 'Music for the Royal Fireworks', continue to captivate audiences today. After settling in London in 1712, he became a prominent figure in British musical life, leaving an indelible mark on the country's cultural landscape. Handel's works are celebrated for their grandeur and emotional depth, making him a cornerstone of the Baroque period and a symbol of European musical heritage. His final resting place is in the south transept of Westminster Abbey, a testament to his enduring legacy.
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