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Dawn Upshaw, the acclaimed American soprano, is renowned for her exquisite voice and her meticulous attention to texts in multiple languages. With a repertoire that spans from Baroque to contemporary, Upshaw has captivated audiences worldwide with her performances in both opera and art song. Her collaborations with leading musicians and composers, including John Adams, Kaija Saariaho, and Esa-Pekka Salonen, have resulted in numerous premieres and award-winning recordings. A recipient of multiple Grammy Awards and a MacArthur Fellowship, Upshaw's influence extends beyond the stage as the head of the Vocal Arts Program at the Tanglewood Music Center and the founder of the Graduate Vocal Arts Program at Bard College Conservatory. Her adventurous spirit and dedication to both new and established works make her a standout figure in the classical music world.
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Dawn Upshaw's 1991 release, "Copland: Old American Songs & 12 Poems of Emily Dickinson," is a captivating exploration of American musical heritage and poetic beauty. This album, released under Warner Classics International, seamlessly blends the genres of opera, minimalism, and classical music, offering a rich and diverse listening experience.
The album is divided into two main sections. The first features Aaron Copland's "Old American Songs," a collection of traditional folk tunes arranged by Copland himself. These songs, performed with Upshaw's signature clarity and warmth, showcase the simplicity and depth of American folk music. Tracks like "Simple Gifts" and "At The River" are standout pieces that highlight Upshaw's ability to convey both joy and introspection.
The second section of the album is dedicated to Copland's settings of Emily Dickinson's poetry. Upshaw's delicate and nuanced interpretations bring Dickinson's words to life, creating a deeply moving musical experience. Songs like "Nature, the Gentlest Mother" and "The Chariot" demonstrate Upshaw's exceptional skill in blending voice and text.
In addition to these two main sections, the album also includes selections from Copland's ballet "Billy the Kid," providing a dynamic contrast to the more intimate songs. The inclusion of these pieces adds a layer of complexity and variety to the album, showcasing Upshaw's versatility as a performer.
With a total runtime of just over an hour, this album is a testament to Dawn Upshaw's artistry and her ability to connect with audiences through her music. Whether you're a fan of classical music, opera, or simply appreciate beautiful singing, this album is sure to captivate and inspire.