Immerse yourself in the enchanting world of 19th-century opera with this captivating album featuring the renowned soprano Elisabeth Schwarzkopf. This double bill showcases two delightful operas that highlight the composer's wit, charm, and melodic genius.
The album opens with Peter Cornelius' "Der Barbier von Bagdad" (The Barber of Baghdad), a whimsical opera that blends exoticism with humor. The overture sets the stage with its lively and engaging melody, leading into a series of captivating arias and ensembles that bring the story of Nureddin, Margiana, and the cunning barber Abul to life. Schwarzkopf's exquisite vocals shine in this opera, showcasing her remarkable range and expressive power.
The second opera on the album is Carl Maria von Weber's "Abu Hassan," a one-act comic opera that is a delight from start to finish. The overture is a sparkling gem, filled with infectious energy and melody. The opera itself is a charming tale of love, deception, and ultimately, reconciliation. Schwarzkopf's performance is nothing short of breathtaking, her voice soaring with ease and grace through the opera's many vocal challenges.
This album, released by Naxos in 2008, is a treasure trove of operatic delights. With a total duration of 2 hours and 15 minutes, it offers a substantial and satisfying listening experience. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album is sure to captivate and enchant. The performances by Elisabeth Schwarzkopf, along with the supporting cast, are nothing short of outstanding, bringing these classic operas to life with passion and virtuosity.
2008 Naxos2008 Naxos
Tracks
Der Barbier von Bagdad (The Barber of Bagdad): OverturePeter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Sanfter Schlummer (Servants, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: So leb' ich noch! So hat noch nicht (Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Sei Allahs Frieden uber dir, mein Sohn (Bostana, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Wenn zum Gebet (Bostana, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Ach, das Leid hab' ich getragen (Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Mein Sohn, sei Allahs Frieden hier (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Bin Akademiker (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: He! Ali, Sadi, Abbas, Achmet (Nureddin, Servants, Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Lass dir zu Fussen wonnesam mich liegen, o Margiana! (Abul, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: Mein teurer Abul, deiner Stimme Klang (Nureddin, Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: So schwarmet Jugend, achtet nicht Gefahr (Abul)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act I: So hat der Satan dich noch immer hier? (Nureddin, Abul, Servants)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: IntroductionPeter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: Er kommt! Er kommt! Er kommt! O Wonne meiner Brust! (Margiana, Bostana, Cadi)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: Allah ist gross, und Mahomet sein Prophet (First, Second and Third Muezzin, Margiana, Bostana, Cadi)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: O holdes Bild in Engelschone (Nureddin, Margiana)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: O Nureddin! Geniesse froh dein Gluck (Abul, Bostana, Nureddin, Margiana, a Slave, Voices)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: Unsel'ger Freund! Und musstest so du enden! (Abul, Cadi, Servants, Cadi's Friends, Mourning Women, People of Bagdad, 4 Officers)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: Sprich, Kadi, du bist Herr in deinem Hause (Caliph, Cadi, Abul, All, Margiana)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: He, Mustapha! Freund Mustapha, wach auf! (Cadi, Caliph, Abul, Margiana, Bostana, Chorus, Nureddin)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Act II: Heil diesem Hause, den du trat'st ein, Salam aleikum! (Abul, All)Peter Cornelius, Oscar Czerwenka, Gerhard Unger, Elisabeth Schwarzkopf, Grace Hoffman, Nicolai Gedda, Eberhard Wächter, August Jaresch, Rudolf Christ, Hermann Prey, Philharmonia Chorus, Philharmonia Orchestra, Erich Leinsdorf
Der Barbier von Bagdad (The Barber of Bagdad): Overture in D Major (alternate version): Cornelius - Der Barbier von Bagdad: Overture (2nd version), S352/R447Franz Liszt, Philharmonia Orchestra, Erich Leinsdorf
Abu Hassan, J. 106: OvertureCarl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Liebes Weibchen, reiche Wein (Abu, Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Was nun zu machen (Abu)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Geld! Geld! Geld! (Chorus, Abu, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Tranen sollst du nicht vergiessen (Fatime, Abu)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Wird Philomena trauern (Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Siehst du diese grosse Menge (Fatime, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Ich such' und such' in allen Blicken (Fatime, Abu, Omar)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Hier liegt, welch' martervolles Los (Fatime)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Angstlich klopft es mir im Herzen (Fatime, Abu, Omar, Chorus)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Abu Hassan, J. 106: Heil ist dem Haus beschieden (Chorus)Carl Maria von Weber, Elisabeth Schwarzkopf, Erich Witte, Michael Bohnen, Berlin Radio Symphony Chorus, Berlin Radio Symphony Orchestra, Leopold Ludwig
Elisabeth Schwarzkopf, born in Jarotschin (now Jarocin, Poland) in 1915, was a German-born Austro-British lyric soprano celebrated for her extraordinary vocal prowess and artistry. Renowned for her interpretations of lieder, Viennese operetta, and the works of Mozart, Wagner, and Richard Strauss, Schwarzkopf's career spanned over three decades, establishing her as one of the greatest sopranos of the 20th century. Her performances captivated audiences worldwide, and her legacy endures through her extensive discography and teachings. Schwarzkopf's life and career were marked by her dedication to her craft, her marriage to the renowned record producer Walter Legge, and her eventual retirement from the stage to focus on voice teaching. Her contributions to the world of opera and classical music are immeasurable, and her recordings continue to inspire and enchant music lovers today.