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Michel Corrette (1707–1795) was a prolific French composer and organist whose inventive and tuneful music continues to captivate audiences today. Known for his imaginative compositions, Corrette's works span a variety of genres, including concertos, sonatas, and harpsichord pieces. His prolific output includes notable works such as 'Concerto Le Phenix' for four bassoons and 'Sonatas for Harpsichord and Violin Op. 25'. Corrette's contributions extend beyond composition; he was also an esteemed author of musical method books, standing alongside renowned figures like Geminiani, C.P.E. Bach, Quantz, and Tartini. His compositions, characterised by their inventiveness and melodic richness, offer a delightful journey into the French Baroque era, making him a significant figure in the world of classical music.
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Immerse yourself in the vibrant and enchanting world of Michel Corrette with "Corrette: Concerts et concertos comiques," a captivating collection of his most celebrated works. Released on January 1, 2004, under Universal Music Division Decca Records France, this album is a testament to Corrette's ingenious compositional prowess and his ability to blend humor, wit, and technical brilliance.
Spanning a diverse range of pieces, this album features a delightful mix of concertos and comic concertos, each showcasing Corrette's unique style and innovative approach to music. From the playful "La servante au bon tabac" to the lively "Les Sauvages," and the charming "Ma mie Margot," every track is a journey through the rich tapestry of 18th-century French music.
The album opens with the "7ème Concerto comique, 'La servante au bon tabac'," a piece that immediately draws the audience in with its lively Allegro. The "Concerto Comique avec variations de violon 'Les Sauvages'" follows, offering a dynamic and engaging experience with its varied movements. The "Chanson 'V'la ce que c'est qu'd'aller au bois'" adds a touch of folk charm, while the "6ème Concerto comique, 'V'là ce que c'est'" brings back the comic spirit.
Corrette's mastery of different instruments is evident in the "Concerto pour traverso, Op. 4 No. 6" and the "Concerto pour musette de cour, Op. 4 No. 3," each piece highlighting the unique qualities of the traverso flute and the musette de cour. The "1er concerto pour orgue, Op. 24 No. 1" showcases Corrette's skill with the organ, creating a rich and resonant soundscape.
With a total duration of one hour, this album is a comprehensive exploration of Michel Corrette's musical genius. Whether you're a seasoned classical music enthusiast or a newcomer looking to discover the delights of 18th-century French music, "Corrette: Concerts et concertos comiques" promises an engaging and enjoyable listening experience.