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Immerse yourself in the enchanting world of Michel Corrette's "Les délices de la solitude," a captivating collection of solo harpsichord sonatas that showcases the composer's virtuosity and the expressive potential of the instrument. Released on April 23, 2004, by Ligia, this album offers a delightful journey through six sonatas, each comprising multiple movements that range from lively allegros to contemplative arias.
Corrette, a prolific French composer of the 18th century, demonstrates his mastery of the harpsichord in this op. 20 collection. The sonatas are filled with intricate melodies, rhythmic complexity, and a rich harmonic language that reflects the musical trends of the Baroque and early Classical periods. The album's duration of 58 minutes provides a satisfying exploration of Corrette's compositional style, making it an excellent addition to any classical music enthusiast's library.
The sonatas are performed with skill and sensitivity, highlighting the nuances of Corrette's writing and the harpsichord's unique timbre. The album opens with the Sonata No. 6 in D Major, featuring an Allegro moderato that immediately engages the listener with its energetic and melodic character. The subsequent movements, including an Aria and a Giga, showcase the composer's ability to create varied and engaging musical ideas within a single work.
Throughout the album, Corrette's inventive use of the harpsichord's capabilities is evident. The Sonata No. 2 in D Minor, for example, features an Allegro staccato movement that exploits the instrument's percussive qualities, while the Sonata No. 4 in B-Flat Major includes a Bruit de chasse (Hunting Noise) movement that mimics the sounds of a hunt, complete with imitations of horns and gunshots.
"Les délices de la solitude" is a testament to Michel Corrette's compositional prowess and the harpsichord's expressive potential. This album is a must-listen for those interested in the music of the Baroque and early Classical periods, as well as anyone seeking to explore the rich history of the harpsichord.