Merzbow's latest masterpiece, Cuts Open, is a sonic behemoth that defies conventions and pushes the boundaries of experimental music. Released on 25 September 2020 via RareNoiseRecords, this hour-and-25-minute odyssey is a testament to the Japanese noise legend's unwavering dedication to innovation.
Throughout the album's four tracks - 'I Went Down to Brother', 'And We Went Home', 'We Went up with Mother', and 'He Locked the Door' - Merzbow seamlessly blends elements of drone, noise rock, free jazz, dark ambient, industrial, and avant-garde music, creating a rich tapestry of sound that is both challenging and rewarding.
Cuts Open is a deeply immersive experience, with Merzbow's signature sonic experimentation and textural manipulation conjuring up a world of eerie landscapes and disorienting atmospheres. As the album unfolds, the listener is drawn into a maelstrom of distorted frequencies, haunting melodies, and rhythmic convulsions, all expertly crafted to disrupt and subvert expectations.
With Cuts Open, Merzbow cements his reputation as a visionary and a true original, an artist who continues to push the limits of what is possible in the realm of experimental music. This album is a must-listen for fans of challenging, cutting-edge sound art and a testament to Merzbow's enduring influence on the global underground music scene.
Merzbow, the brainchild of Japanese artist Masami Akita, is a titan in the world of noise music, having pioneered and defined the genre since its inception in 1979. With over 500 recordings released, Merzbow's discography is a testament to Akita's relentless exploration of sonic extremes. From his early tape loop experiments to his later laptop-generated static noise, Merzbow's music is a visceral journey through industrial landscapes and electronic chaos. Akita's work is not just about sound; it's a reflection of his vegan straight edge lifestyle and his dada-influenced junk art aesthetic, inspired by Kurt Schwitters' "Merzbau." Merzbow's collaborations with artists across the globe have further cemented his status as an international noise icon, making him a must-hear for anyone drawn to the avant-garde and experimental.
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