Chaya Czernowin's "Shu Hai Practices Javelin," released on Mode Records in 2002, is a captivating exploration of contemporary classical music that pushes the boundaries of orchestral and vocal expression. This album, spanning over an hour and thirteen minutes, is a testament to Czernowin's innovative compositional style, blending intricate orchestral arrangements with haunting vocal performances.
The album opens with "6 Miniatures and a Simultaneous Song," a collection of brief yet impactful pieces that set the stage for the rest of the work. The centerpiece of the album is "Shu Hai in an Orchestral Setting," a multi-movement work that alternates between orchestral and vocal sections, creating a dynamic and engaging listening experience. The orchestral sections, marked by their rich textures and complex rhythms, are contrasted with the ethereal vocal passages, sung in a language that Czernowin invented, adding an element of mystery and otherworldliness to the music.
The final two tracks, "Shu Hai mitamen behatalat kidon," continue the exploration of vocal and instrumental interplay, showcasing Czernowin's ability to create a cohesive and immersive musical narrative. Throughout the album, Czernowin's compositions are brought to life by the Ensemble Musikfabrik NRW, known for their precision and versatility in performing contemporary classical music.
"Shu Hai Practices Javelin" is a compelling addition to any contemporary classical music collection, offering a unique and thought-provoking listening experience. Chaya Czernowin's masterful compositions, combined with the exceptional performances by Ensemble Musikfabrik NRW, make this album a standout in the genre.